24»þ´Ö¥¿¥¤¥à¥»¡¼¥ë
ÈþÍÆ ·ò¹¯´ØÏ¢¥é¥ó¥¥ó¥°
¿©ÉÊ´ØÏ¢¥é¥ó¥¥ó¥°
¥Õ¥¡¥Ã¥·¥ç¥ó´ØÏ¢
»Ò¶¡Éô²°¡¡¥¥Ã¥ºÍÑÉÊ
²ÈÅÅ¡¦À¸³è²ÈÅÅ
¤ª¼ò¡¦¥¢¥ë¥³¡¼¥ëÎà
²Ö¡¦DIY¡¦¸¤¡¦ÇÍÑÉÊ
¥ï¥¤¥ó¡¢¤ª¼òÎà
¥É¥ê¥ó¥¯¡¢¥³¡¼¥Ò¡¼Îà
¿©ÉÊ¡¢·ò¹¯Îà
¥«¥á¥é¡¢²ÈÅÅÎà
¥Û¡¼¥à¡õ¥¥Ã¥Á¥ó
¤ª¤â¤Á¤ã
¤Û¤·¤¤¤â¤Î¥é¥ó¥¥ó¥°
¿©ÉÊ¡õ°ûÎÁ
1000±ß
1000±ß¡Á
2000±ß¡Á
3000±ß¡Á
4000±ß¡Á
ÈþÍÆ¡¦·ò¹¯
¥°¥ó¥Ê¡¼¡¦¥Ù¥ë¥° - Gunnar Berg (1909-1989)¡¦¥¢¥ë¡¦¥´¡¼¥È¥Ú¥¢¡¦¥Ç¥å¥Ö¥í¡¦¥»¥¢¥ó¥»¥ó - Per Dybro Sorensen (¥®¥¿¡¼)¥Þ¥¤¥±¥ë¡¦¥Î¡¼¥Þ¥ó - Michael Norman (¥®¥¿¡¼)Ï¿²»: June¡¢ December 2006¡¢ Koge Music Schoo¡¢ Denmark¡¦¥È¥ê¥¨¥É¥é¥Ü¥ì¥Ã¥Æ¡¦¥í¥º - Bolette Roed (¥ê¥³¡¼¥À¡¼)Ï¿²»: September 2008¡¢ Horsholm Church¡¢ Denmark¡¦9¤Ä¤ÎÆó½ÅÁնʥܥì¥Ã¥Æ¡¦¥í¥º - Bolette Roed (¥ê¥³¡¼¥À¡¼)¥Ú¥¢¡¦¥Ç¥å¥Ö¥í¡¦¥»¥¢¥ó¥»¥ó - Per Dybro Sorensen (¥®¥¿¡¼)Ï¿²»: February 2008 ¡¢ Boholte Church¡¢ Denmark¡¦¥á¥í¥¹I¥Ú¥¢¡¦¥Ç¥å¥Ö¥í¡¦¥»¥¢¥ó¥»¥ó - Per Dybro Sorensen (¥®¥¿¡¼)Ï¿²»: February 2008 ¡¢ Boholte Church¡¢ Denmark
¥Ë¥ë¥¹¡¦¥í¥·¥ó¥°¡á¥¹¥³¥¦ - Niels Rosing-Schow (1954-)¡¦E rigidis¥Ú¥¢¡¦¥Î¥¢¥´¡¼ - Per N?rg?rd (1932-)¡¦ÃÇ¾Ï V¡¦ÆóÏ¢º×ÃŲè Op. 11¥Ý¥¦¥ë¡¦¥ë¡¼¥¶¥¹ - Poul Ruders (1949-)¡¦¿Æͧ¤Î¤¿¤á¤Î3¤Ä¤Î¾®ÉÊ¡¦¥Ù¥ë¡¦¥«¥ó¥È¥¢¥Ê¥¹¡¦¥Î¡¼¥¨¥ó¥È¥Õ¥È - Anders Nordentoft (1957-)¡¦2¤Ä¤Î³Ú¾Ï¥Ø¥¢¥Þ¥ó¡¦¥À¡¼¥ô¥£¥É¡¦¥³¥Ã¥Ú¥ë - Herman D. Koppel (1908-1998)¡¦¥Æ¥ë¥Ë¥ª Op. 53a ¡Ê¥ô¥¡¥¤¥ª¥ê¥ó¤È¥Ô¥¢¥ÎÊÔ¡Ë¥¨¥ê¥¶¥Ù¥È¡¦¥Ä¥©¥¤¥Æ¥ó¡¦¥·¥å¥Ê¥¤¥À¡¼ - Elisabeth Zeuthen Schneider (¥ô¥¡¥¤¥ª¥ê¥ó)¥¦¥ë¥ê¥¯¡¦¥¹¥Æ¥¢¥¯ - Ulrich Staerk (¥Ô¥¢¥Î)Ï¿²»: January to March 2009¡¢ The Royal Danish Academy of Music¡¢ DenmarkË̲¤¤Î¸½Âåºî¶Ê²È5¿Í¤Î¥ô¥¡¥¤¥ª¥ê¥ó(¤È¥Ô¥¢¥Î¤Î¤¿¤á¤Î)ºîÉʤò½¸¤á¤¿1Ëç¤Ç¤¹¡£¡ÖE rigidis(¸·³Ê¤Ë)¡×¤Ï¡¢ºî¶ÊÅö»þ27ºÐ¤Ç¤¢¤Ã¤¿¥í¥·¥ó¥°¡á¥¹¥³¥¦¤ÎºÍǽ¤òÀ¤¤ËÃΤ餷¤á¤¿ºîÉÊ¡£¥·¥ó¥×¥ë¤Ç³«ÊüŪ¤Ê²»¿§¤ËËþ¤Á¤¿15ʬ¼å¤Î¶Ê¤Ç¤¹¡£¥Î¥¢¥´¡¼¤Î½é´ü¤ÎºîÉʤǤ¢¤ë¡ÖÆóÏ¢¤Îº×ÃŲè¡×¤Ï¶Ë¤á¤ÆÂоÈŪ¤Ê2¤Ä¤Î¶Ê¤Ë¤è¤Ã¤ÆÉÁ¤«¤ì¤¿³¨²è¤Ç¤¹¡£¥ë¡¼¥¶¥¹¤Î2¤Ä¤ÎºîÉʤϡ¢¤É¤Á¤é¤â¥ß¥ì¥Ë¥¢¥à¡¦¥¤¥ä¡¼Á°¸å¤Ë½ñ¤«¤ì¤¿¤â¤Î¡£ºÍµ¤ßåȯ¤Î¤¤ï¤ß¤È¸À¤¨¤Þ¤·¤ç¤¦¡£¥Î¡¼¥¨¥ó¥È¥Õ¥È¤ÎºîÉ÷¤Ï¥Î¥¢¥´¡¼¤Î¿ÀÈë¼çµÁ¤ËÄ̤¸¤ë¤â¤Î¤¬¤¢¤ê¤Þ¤¹¡£ºÇ¸å¤Î¥³¥Ã¥Ú¥ë¤ÎºîÉʤϡ¢ºî¶Ê²È¼«¿È¤¬¥Ô¥¢¥Ë¥¹¥È¤Ç¤¢¤ë¤³¤È¤â¤¢¤ê¡¢¥Ô¥¢¥Î¥Ñ¡¼¥È¤â¶Å¤Ã¤¿½ñË¡¤Ç½ñ¤«¤ì¤Æ¤¤¤Þ¤¹¡£
¶ÊÌÜ¡¦ÆâÍÆ¥è¥Ï¥Í¥¹¡¦¥Ö¥é¡¼¥à¥¹¡Ê1833-1897¡ËDisc 11-4.¥Ô¥¢¥Î»°½ÅÁÕ¶Ê Âè1ÈÖ ¥íĹĴ Op.8¡Ê²þÄûÈÇ¡Ë5-8.¥Ô¥¢¥Î»°½ÅÁÕ¶Ê Âè2ÈÖ ¥ÏĹĴ Op.87Disc 21-4.¥Ô¥¢¥Î»°½ÅÁÕ¶Ê Âè3ÈÖ ¥ÏûĴ Op.1015-8.¥Ô¥¢¥Î»°½ÅÁÕ¶Ê ÊÑ¥ÛĹĴ Op.40¡Ê¥Û¥ë¥ó»°½ÅÁնʤΥ֥顼¥à¥¹¤Ë¤è¤ëÊԶʡË9.»Ò¼é²Î Op.49-4¡Ê¥Þ¥Á¥å¡¼¡¦¥Ø¥ë¥Ä¥©¡¼¥¯ÊԶʥԥ¢¥Î»°½ÅÁÕÈÇ¡ËÆüËܸì²òÀâÉÕ¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥È¥ê¥ª¡¦¥½¡¼¥é¥Ý¥ê¡¼¥Ì¡¦¥·¥å¥Í¡Ê¥Ô¥¢¥Î¡Ë¥Õ¥¡¥Ë¡¼¡¦¥Õ¥§¥ª¥É¥í¥Õ¡Ê¥ô¥¡¥¤¥ª¥ê¥ó¡Ë¥¢¥ó¥¸¥§¥ë¡¦¥ì¥¬¥µ¡Ê¥Á¥§¥í¡Ë¥ì¥³¡¼¥Ç¥£¥ó¥°2023ǯ5·î20-23Æü¡¢6·î25-28ÆüMC2 ¥ª¡¼¥Ç¥£¥È¥ê¥¢¥à¡¢¥°¥ë¥Î¡¼¥Ö¥ë¤½¤Î¾¤Î»ÅÍͤʤɼýÏ¿»þ´Ö¡§ 63ʬ¡¿51ʬ¾¦ÉÊÈֹ桧LDV1323¥Ö¥é¡¼¥à¥¹¡Ê1833-1897¡Ë¡§¥Ô¥¢¥Î»°½ÅÁÕ¶Ê Á´½¸ ¡Î¥È¥ê¥ª¡¦¥½¡¼¥é¡ÏCD 2ËçÁÈÆüËܸì²òÀâÉÕ¤ ȯÇäÆü¡§2024ǯ05·î03Æü La Dolce Volta¥À¥¤¥Ê¥ß¥Ã¥¯¤Ë¤·¤Æ¤·¤Ê¤ä¤«¡¢¥È¥ê¥ª¡¦¥½¡¼¥é¤Ë¤è¤ë¿·Á¯¤Ê¥Ö¥é¡¼¥à¥¹2015ǯ¡¢¥Ñ¥ê²»³Ú±¡½Ð¿È¤Î½÷À3¿Í¤Ë¤è¤Ã¤Æ·ëÀ®¤µ¤ì¤¿¥È¥ê¥ª¡¦¥½¡¼¥é¡£Ì¾Á°¤ÎͳÍè¤Ï¥Í¥¤¥Æ¥£¥ô¡¦¥¢¥á¥ê¥«¥ó¤Î¸ÀÍÕ¡ÖÈôæƤ·¤Æ²Î¤¦Ä»¡×¤«¤é¼è¤é¤ì¤Æ¤ª¤ê¡¢ÆüËܸì¤Î¡Ö¶õ¡×¡¢¥Õ¥é¥ó¥¹¸ì¤Î¡Ösoeurs¡Ê»ÐËå¡Ë¡×¤Î²»¤â°Õ¼±¤µ¤ì¤Æ¤¤¤ë¤è¤¦¤Ç¤¹¡£¥ª¥ê¥¸¥Ê¥ë¡¦¥á¥ó¥Ð¡¼¤Î¥Ý¥ê¡¼¥Ì¡¦¥·¥å¥Í¤È¥¢¥ó¥¸¥§¥ë¡¦¥ì¥¬¥µ¡¢2022ǯ¤«¤é¿·²ÃÆþ¤·¤¿¥Õ¥¡¥Ë¡¼¡¦¥Õ¥§¥ª¥É¥í¥Õ¤Ë¤è¤ë½é¤á¤Æ¤Î¥¢¥ë¥Ð¥à¡£2020ǯ¤Ëȯɽ¤µ¤ì¤¿Á°ºî¤â¥Ù¡¼¥È¡¼¥ô¥§¥ó¤Î¥Ô¥¢¥Î»°½ÅÁÕ¶ÊÁ´½¸¡ÊNaïve¡Ë¤È¤¤¤¦Èà½÷¤¿¤Á¤Ç¤¹¤¬¡¢La Dolce Volta¤«¤é¤Î½é¤á¤Æ¤Î¥¢¥ë¥Ð¥à¤â¡¢¤¤¤¤Ê¤ê¥Ö¥é¡¼¥à¥¹¤ÎÁ´½¸¤È¤¤¤¦°ÕÍßŪ¤Ê¤â¤Î¤È¤Ê¤ê¤Þ¤·¤¿¡£Îý½¬¤Ë¿¤¯¤Î»þ´Ö¤òÈñ¤ä¤¹¤È¤¤¤¦Èà½÷¤¿¤Á¤Ï¡¢ºîÉʤι½Â¤¤ËÃí°Õ¤òʧ¤¤¤Ê¤¬¤é¥Õ¥ì¡¼¥¸¥ó¥°¤ä¥¢¡¼¥Æ¥£¥¥å¥ì¡¼¥·¥ç¥ó¤È¤½¤Î°ÕÌ£¤òÅ°ÄìŪ¤ËÄɵᡢ·îʤߤʲò¼á¤Ë´Ù¤ë¤³¤È¤Ê¤¯¡¢ºîÉʤ˿¼¤¯ÀÚ¤ê¹þ¤ó¤Ç¤¤¤¤Þ¤¹¡£¤½¤Î±éÁդϤ¿¤¤¤Ø¤ó¥À¥¤¥Ê¥ß¥Ã¥¯¤Ç¤¤¤Ê¤¬¤éºÙÉô¤Î²Î¤¤¤Ö¤ê¤âÈþ¤·¤¯¡¢¤Ê¤ª¤«¤Ä¶ÊÁ´ÂΤò¸«Ä̤·¤¿¤·¤Ê¤ä¤«¤µ¤òÊ»¤»»ý¤Ã¤¿¤â¤Î¡£¥Û¥ë¥ó¤ÎÂå¤ï¤ê¤Ë¥Á¥§¥í¤òÍѤ¤¤ë¥Û¥ë¥ó»°½ÅÁնʡ¢¤½¤·¤Æ¤·¤Ã¤È¤ê¤È¤·¤¿¡Ö»Ò¼é²Î¡×¤ÎʻϿ¤â´ò¤·¤¤¤È¤³¤í¤Ç¤¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥Ö¥é¡¼¥à¥¹
¶ÊÌÜ¡¦ÆâÍÆ1.¸¹³Ú»Í½ÅÁÕ¶Ê Âè1ÈÖ Op.8¡Ê1848-1849¡Ë2-4.¸¹³Ú»Í½ÅÁÕ¶Ê Âè2ÈÖ Op.20¡Ê1952-1953¡ËÂè1³Ú¾Ï¡§Inquieto allegroÂè2³Ú¾Ï¡§Molto allegroÂè3³Ú¾Ï¡§Adagio5-9.¸¹³Ú»Í½ÅÁÕ¶Ê Âè3ÈÖ Op.73¡Ê1976¡ËÂè1³Ú¾Ï¡§Presto - Poco meno mossoÂè2³Ú¾Ï¡§Allegro feroce Âè3³Ú¾Ï¡§AdagioÂè4³Ú¾Ï¡§Allegro inquietoÂè5³Ú¾Ï¡§ Presto - Variations 1-8 - Coda piu presto10.11.¥¢¥À¡¼¥¸¥ç¤È¥¹¥±¥ë¥Ä¥©¡Ê1943¡Ë¥¢¥À¡¼¥¸¥ç¥¹¥±¥ë¥Ä¥©¡Ê¥¢¥ì¥°¥í¡Ë1.4-9.10-11 ¡¦¡¦¡¦ À¤³¦½éÏ¿²»¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥ô¥£¥é¡¼¥º¸¹³Ú»Í½ÅÁÕÃÄ¡Î¥á¥ó¥Ð¡¼¡Ï¥¸¥§¡¼¥à¥º¡¦¥Ç¥£¥±¥ó¥½¥ó¡ÊÂè1¥ô¥¡¥¤¥ª¥ê¥ó¡ËÅì´Ä¼ù¡ÊÂè2¥ô¥¡¥¤¥ª¥ê¥ó¡Ë¥«¥ë¥á¥ó¡¦¥Õ¥í¡¼¥ì¥¹¡Ê¥ô¥£¥ª¥é¡Ë¥Ë¥³¥é¥¹¡¦¥¹¥È¥ê¥ó¥°¥Õ¥§¥í¡¼¡Ê¥Á¥§¥í¡Ë¥ì¥³¡¼¥Ç¥£¥ó¥°Church of St John the Evangelist, Upper Norwood, London, UK2015ǯ10·î15.16Æü¡¦¡¦¡¦12016ǯ7·î16Æü¡¦¡¦¡¦2-4.10-112016ǯ1·î6Æü¡¦¡¦¡¦5-9¾¦ÉÊÈֹ桧8.571374¥Õ¥ê¥Ã¥«¡¼¡Ê1920-1990¡Ë¡§¸¹³Ú»Í½ÅÁնʽ¸ ¡Î¥ô¥£¥ê¥¢¡¼¥º»Í½ÅÁÕÃÄ¡Ï FRICKER, P.R.: String Quartets Nos. 1-3 / Adagio and Scherzo (Villiers Quartet)CD ȯÇäÆü¡§2017ǯ02·î24Æü NML¥¢¥ë¥Ð¥àÈֹ桧8.571374 NAXOS¡Î8.571...¡Ï̾¥Û¥ë¥óÁռԥǥ˥¹¡¦¥Ö¥ì¥¤¥ó¤Îͧ¿Í¤È¤·¤Æ¤âÃΤé¤ì¤ë¥¤¥®¥ê¥¹¤Îºî¶Ê²È¥Ô¡¼¥¿¡¼¡¦¥é¥·¡¼¥Ì¡¦¥Õ¥ê¥Ã¥«¡¼¤Î¸¹³Ú»Í½ÅÁնʽ¸¡£¥»¥ó¥È¡¦¥Ý¡¼¥ëÂçÀ»Æ²¤Î³ØÀ¸¤À¤Ã¤¿Èà¤Ï¥ª¥ë¥¬¥ó±éÁդ˶½Ì£¤ò»ý¤Á¡¢ÆäËÂаÌË¡¤Î¸¦µæ¤ËÎϤòÃí¤®¡¢20Âå¸åȾ¤Þ¤Ç¤Ï¥³¥ó¥µ¡¼¥È¡¦¥ª¥ë¥¬¥óÁռԤȤ·¤Æ³èÌö¤·¤Æ¤¤¤Þ¤·¤¿¡£1940ǯ¤Ë·³Ââ¤ËÆþÂâ¡¢¤³¤Î»þ´ü¤Ë¤Ï¥Ô¥¢¥Î¶Ê¤òºî¤ê¤Ä¤Ä¡¢¸¹³Ú»Í½ÅÁնʤÎ˨²ê¤È¤â¤¤¤¨¤ë¥¢¥À¡¼¥¸¥ç¤È¥¹¥±¥ë¥Ä¥©¤Îºî¶Ê¤ËÃå¼ê¤·¤Þ¤¹¡£¤½¤Î¸å¡¢Op.5¤Î´É³Ú¸Þ½ÅÁնʤ¬¡¢¥Ö¥ì¥¤¥ó¤ò¤Ï¤¸¤á¤È¤·¤¿ÁÕ¼Ô¤¿¤Á¤Ë¤è¤Ã¤ÆÏ¿²»¤µ¤ì¡¢¥Õ¥ê¥Ã¥«¡¼¤Î̾Á°¤¬À¤³¦Åª¤ËÃΤé¤ì¤ë¤è¤¦¤Ë¤Ê¤ê¡¢1949ǯ¤Ëºî¶Ê¤·¤¿¸ò¶Á¶ÊÂè1È֤ϡ¢±ÉÍÀ¤¢¤ë¡È¥¯¡¼¥»¥ô¥£¥Ã¥Ä¥¡¼¾Þ¡É¤ò³ÍÆÀ¡¢Èà¤Î¥¥ã¥ê¥¢¤¬·èÄêÉÕ¤±¤é¤ì¤Þ¤·¤¿¡£¤½¤ó¤Ê»þ´ü¤Ë½é±é¤µ¤ì¤¿¤³¤Î¸¹³Ú»Í½ÅÁÕ¶ÊÂè1È֤ϡÖËü¿Í¼õ¤±¤¹¤ë¤â¤Î¤Ç¤Ï¤Ê¤¤¤¬ÆÃͤΥ¹¥¿¥¤¥ë¤ò»ý¤Ã¤Æ¤¤¤ë¡×¤È²»³Ú»ï¤Çɾ¤µ¤ì¤ë¤Ê¤É¡¢¤½¤ÎºÍǽ¤Ï¿¤¯¤Î¿Í¤«¤éÃíÌܤµ¤ì¡¢Èà¤â¿¤¯¤ÎºîÉʤò¼¡¡¹¤Ëȯɽ¤·¤Þ¤¹¡£¤·¤«¤·¡¢ÊݼéŪ¤ÊºîÉ÷¤Ë½ª»Ï¹´¤Ã¤¿¤¿¤á¤«¡¢½ù¡¹¤Ë˺¤ì¤é¤ì¤Æ¤·¤Þ¤¤¡¢¸½ºß¤Ç¤Ï¤½¤ÎºîÉʤΤۤȤó¤É¤Ï±éÁÕ¤µ¤ì¤ëµ¡²ñ¤â¤¢¤ê¤Þ¤»¤ó¡£2010ǯÂå°Ê¹ß¡¢¾¯¤·¤º¤ÄÉü¸¢¤¬¿Ê¤ó¤Ç¤¤¤ëºî¶Ê²È¤Ç¤¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥Õ¥ê¥Ã¥«¡¼
¶ÊÌÜ¡¦ÆâÍƥ쥸¥Ê¥ë¥É¡¦¥¹¥ß¥¹¡¦¥Ö¥ê¥ó¥É¥ë¡Ê1917-2003¡Ë1-5.Etruscan Preludes - ¥¨¥È¥¥¥ë¥¹¥«¥óÁ°ÁնʡÊ1949¡ËNo.1. Tempo libero¡ÊCon fuoco e passione¡ËNo.2. Molto adagio, e espressivoNo.3. Mosso, ma non troppo, espressivoNo.4. Un poco lento e sostenutoNo.5. Molto vivace6-9.El Polifemo de oro - ²«¶â¤Î¥Ý¥ê¥Õ¥§¡¼¥â¡Ê1956/1981²þÄû¡ËI. Ben adagioII. AllegrettoIII. LargoIV. Ritmico e vivo10.Nocturne - ÌëÁ۶ʡÊ1946¡Ë11.12.Memento - ¥á¥á¥ó¥È¡Ê1973¡ËI. Tempo libero, quasi improvisandoII. Lento, espressivo13.Do Not Go Gentle Into That Good Night¡Ê1974¡Ë14.Variants on 2 Themes of J.S. Bach - J.S. ¥Ð¥Ã¥Ï¤Î2¤Ä¤Î¼çÂê¤Ë¤è¤ë¥ô¥¡¥ê¥¢¥ó¥È¡Ê1970¡Ë15-17.Guitarcosmos - ¥®¥¿¡¼¥³¥¹¥â¥¹ Âè3´¬ - 3¤Ä¤Î¥¤¥ó¥ô¥§¥ó¥·¥ç¥ó¡Ê1977¡ËNo.1. To John Cage - ¥¸¥ç¥ó¡¦¥±¡¼¥¸¤ØNo.2. Percussion Piece - ¥Ñ¡¼¥«¥Ã¥·¥ç¥ó¡¦¥Ô¡¼¥¹No.3. Chance Flight - ¥Á¥ã¥ó¥¹¡¦¥Õ¥é¥¤¥È18-21.Four Poems of García Lorca - ¥¬¥ë¥·¥¢¡¦¥í¥ë¥«¤Î4¤Ä¤Î»í¡Ê1975¡ËNo.1. Lamentación de la Muerte No.2. DanzaNo.3. Tierra Seca No.4. Clamor¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥É¥¥¥¤¥ê¥ª¡¦¥á¥¦¥Ã¥Á¡Ê¥®¥¿¡¼¡Ë¥ì¥³¡¼¥Ç¥£¥ó¥°2022ǯ9·î11-13ÆüSt. Paul's Anglican Church, Newmarket, Ontario¡Ê¥«¥Ê¥À¡Ë¤½¤Î¾¤Î»ÅÍͤʤÉÁí¼ýÏ¿»þ´Ö¡§ 70ʬ¾¦ÉÊÈֹ桧8.574476¥¹¥ß¥¹¡¦¥Ö¥ê¥ó¥É¥ë¡Ê1917-2003¡Ë¡§¡Ò¥®¥¿¡¼ÆÈÁդΤ¿¤á¤ÎºîÉÊÁ´½¸ Âè1½¸¡Ó²«¶â¤Î¥Ý¥ê¥Õ¥§¡¼¥â¡¿¥ô¥¡¥ê¥¢¥ó¥È¡¿¥á¥á¥ó¥È ¾ ¡Î¥É¥¥¥¤¥ê¥ª¡¦¥á¥¦¥Ã¥Á¡Ê¥®¥¿¡¼¡Ë¡Ï SMITH BRINDLE, R.: Solo Guitar Works (Complete), Vol. 1 (Meucci)CD ȯÇäÆü¡§2023ǯ05·î12Æü NML¥¢¥ë¥Ð¥àÈֹ桧8.574476 NAXOS¡Î8.574...¡Ï±Ñ¹ñ¤Îºî²È¡¦ºî¶Ê²È¥ì¥¸¥Ê¥ë¥É¡¦¥¹¥ß¥¹¡¦¥Ö¥ê¥ó¥É¥ë¤Î¥®¥¿¡¼ºîÉʽ¸¡£¥Ö¥ê¥ó¥É¥ë¤Ï6ºÐ¤«¤é¥Ô¥¢¥Î¤ò»Ï¤á¡¢¸å¤Ë¥¯¥é¥ê¥Í¥Ã¥È¡¢¥µ¥Ã¥¯¥¹¡¢¥®¥¿¡¼¤â³Ø¤Ó¤Þ¤·¤¿¡£Î¾¿Æ¤ÏÈà¤ò²»³Ú²È¤Ë¤¹¤ë¤Ä¤â¤ê¤Ï¤Ê¤¯¡¢·úÃÛ¤ÎÆ»¤Ø¿Ê¤ß¤Þ¤·¤¿¤¬¡¢¥¸¥ã¥º¤Ë¶½Ì£¤¬¤¢¤Ã¤¿¤Î¤Ç¥µ¥Ã¥¯¥¹¤Î±éÁդⳤ±¤Æ¤¤¤Þ¤·¤¿¡£ÂèÆó¼¡À¤³¦ÂçÀïÃæ¤Ï²¦Î©¹©Ê¼Ââ¡ÊRoyal Engineers¡Ë¤ËÇÛ°¤µ¤ì¡¢Àï¸å¤Ïºî¶Ê²È¤È¤·¤Æ³èÆ°¡£¥ª¥Ú¥é¤ò´Þ¤àÍÍ¡¹¤ÊºîÉʤò½ñ¤¾å¤²¤Þ¤·¤¿¤¬¡¢¥®¥¿¡¼ºîÉʤϥ¸¥å¥ê¥¢¥ó¡¦¥Ö¥ê¡¼¥à¤¬¾Þ»¿¤·¤ÆÍ̾¤Ë¤Ê¤ê¤Þ¤·¤¿¡£¤³¤ÎCD¤Ç¤Ï¡¢¼º¤ï¤ì¤¿¸ÅÂåʸÌÀ¤ÎÆæ¤ò¥Æ¡¼¥Þ¤È¤¹¤ë¡Ö¥¨¥È¥¥¥ë¥¹¥«¥óÁ°Áնʡפ䡢¥¬¥ë¥·¥¢¡¦¥í¥ë¥«¤Î»í¤«¤é¥¤¥ó¥¹¥Ñ¥¤¥¢¤µ¤ì¤¿¡Ö4¤Ä¤Î»í¡×¡¢Èþ¤·¤¤¡ÖÌëÁ۶ʡפ䥮¥¿¡¼±éÁդβÄǽÀ¤òÄɵᤷ¤¿¡Ö3¤Ä¤Î¥¤¥ó¥ô¥§¥ó¥·¥ç¥ó¡×¡¢¥Ö¥ê¡¼¥à¤Î¤¿¤á¤Ë½ñ¤«¤ì¤¿¡Ö²«¶â¤Î¥Ý¥ê¥Õ¥§¡¼¥â¡×¤Ê¤É¡¢Â¿ºÌ¤ÊºîÉʤò³Ú¤·¤á¤Þ¤¹¡£±éÁդϸ½ÂåºîÉʤòÆÀ°Õ¤È¤¹¤ë¥¤¥¿¥ê¥¢¤Î¥®¥¿¥ê¥¹¥È¡¢¥É¥¥¥¤¥ê¥ª¡¦¥á¥¦¥Ã¥Á¡£¥«¥¹¥Æ¥ë¥Ì¥ª¡¼¥ô¥©¡á¥Æ¥Ç¥¹¥³¤ä¥Ö¥ê¥Æ¥óºîÉʤÎÏ¿²»¤Ç¹â¤¯É¾²Á¤µ¤ì¤Æ¤¤¤Þ¤¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥Ö¥ê¥ó¥É¥ë
¥á¥ó¥Ç¥ë¥¹¥¾¡¼¥ó: ¸¹³Ú»Í½ÅÁÕ¶ÊÁ´½¸¡ã¶ÊÌÜ¡ä¡ãCD1¡ä(1)¥ÛĹĴ (1823)(2)Âè2ÈÖ ¥¤Ã»Ä´ Op.13(1827)(3)Âè1ÈÖ ÊÑ¥ÛĹĴ Op.12(1829)¡ãCD2¡ä(1)Âè4ÈÖ ¥ÛûĴ Op.44-2(1837)(2)Âè5ÈÖ ÊÑ¥ÛĹĴ Op.44-3(1838)(3)Âè3ÈÖ ¥ËĹĴ Op.44-1(1838)¡ãCD3¡ä(1)Âè6ÈÖ ¤ØûĴ Op.80(1847)(2)¸¹³Ú»Í½ÅÁդΤ¿¤á¤Î4¤Ä¤Î¾®ÉÊOp.81(1827-1847)¡ã±éÁա䥿¡¼¥ê¥Ò¸¹³Ú»Í½ÅÁÕÃÄ¡Ì¥ä¥ó¡¦¥¿¡¼¥ê¥ÒJr.(Vn)¡¢¥Ú¥È¥ë¡¦¥Þ¥»¥Á¥§¥¯(2ndVn)¡¢¥¦¥é¥Ç¥£¡¼¥ß¥ë¡¦¥Ö¥«¥Á¥å(Va)¡¢¥Ú¡¼¥Æ¥ë¡¦¥×¥é¥¦¥¼(Vc)¡Í¡ãÏ¿²»¡ä2000¡¢ 2001¡¢ 2003ǯ¼ýÏ¿»þ´Ö: 199ʬ
¶ÊÌÜ¡¦ÆâÍÆ1-4.¸¹³Ú»Í½ÅÁÕ¶Ê Âè1ÈÖ ¥¤Ä¹Ä´ I. Vivace ma serenoII. AdagioIII. Tema con variazioni: Allegretto tranquilloIV. Finale5-8.¸¹³Ú»Í½ÅÁÕ¶Ê Âè2ÈÖ ¥ËĹĴ I. Molto sostenutoII. AdagioIII. Movimento di scherzoIV. Molto concitato¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥é¥¤¥¿»Í½ÅÁÕÃÄ - Lajtha Quartet¾¦ÉÊÈֹ桧8.570876¥Ô¥Ä¥§¥Ã¥Æ¥£¡Ê1880-1968¡Ë¡§¸¹³Ú»Í½ÅÁնʽ¸ ¡Î¥é¥¤¥¿»Í½ÅÁÕÃÄ¡Ï PIZZETTI, I.: String Quartets Nos. 1 and 2 (Lajtha Quartet)CD ¢£¼¼Æâ³ÚȯÇäÆü¡§2011ǯ10·î19Æü NML¥¢¥ë¥Ð¥àÈֹ桧8.570876 NAXOS¡Î8.570...¡Ï¤Þ¤ë¤Ç¥É¥ô¥©¥ë¥¶¡¼¥¯¡© ¤ÈÄ°¤¤Ê¤¬¤é¥¸¥ã¥±¥Ã¥È¤ò¸«Ä¾¤·¤Æ¤·¤Þ¤¤¤½¤¦¤Ê¡¢Âè1È֤θ¹³Ú»Í½ÅÁնʡ£¤³¤ì¤ò½ñ¤¤¤¿¤Î¤Ï¡¢¥Þ¥ê¥Ô¥¨¡¼¥í¡¢¥«¥»¥Ã¥é¡¢¥ì¥¹¥Ô¡¼¥®¤ÈƱÀ¤Âå¤Î¥¤¥¿¥ê¥¢¤Îºî¶Ê²È¥Ô¥Ä¥§¥Ã¥Æ¥£¡Ê1880-1968¡Ë¤Ç¤¹¡£Èà¤Ï¤É¤Á¤é¤«¤È¤¤¤¦¤ÈÀè¿ÊŪ¤ÊÏÂÀ¼¤Ë¤Ï·ù°´¶¤òÊú¤¤¤Æ¤¤¤¿¤è¤¦¤Ç¡¢½é´ü¥Ð¥í¥Ã¥¯¤ä¥ë¥Í¥µ¥ó¥¹²»³Ú¤Ø¤Î²óµ¢¤òÌܻؤ·¤Æ¤¤¤Þ¤·¤¿¤¬¡¢¤È¤Ï¤¤¤¦¤â¤Î¤Î¡¢Ù³¾ðŪ¤ÊÀûΧ¤òÍѤ¤¡¢ÏÂÀ¼¤âȾ²»³¬Åª¤À¤Ã¤¿¤ê¤È¡¢¤«¤Ê¤ê»þÂå¤ÎÉ÷Ĭ¤Ë¤ÏÃé¼Â¤À¤Ã¤¿¤è¤¦¤Ç¤¹¡£¤µ¤ï¤ä¤«¹á¤ê¤ò»ý¤ÄÁ°½Ò¤ÎÂè1ÈÖ¤ËÈæ¤Ù¡¢¤½¤ÎÌó26ǯ¸å¤Ë½ñ¤«¤ì¤¿Âè2È֤ϡ¢ÌÀ¤é¤«¤Ë¸å´ü¥í¥Þ¥óÇÉÉ÷¤ÎÀ®½Ï¤·¤¿Ç»¸ü¤Ê²»³Ú¤Ç¤¢¤ê¡¢¤æ¤Ã¤¿¤ê¤È¤·¤¿Âè1³Ú¾Ï¤Ç¤Ï¡¢¤ª¤Ê¤¸¤ß¤ÎBACH¤Î̾Á°¤â²»¤È¤·¤Æ°úÍѤµ¤ì¤Æ¤¤¤Þ¤¹¡£¿ÀÈëŪ¤Ê²»¤Îή¤ì¤Ï¡¢¤½¤Î¤Þ¤ÞÂè2³Ú¾Ï¤Ø¤È³¤¡¢¸«»ö¤Ê¹½Â¤¤ò»ý¤Ä¥¹¥±¥ë¥Ä¥©¤ò·Ð¤Æ¡¢·ã¤·¤¤½ª³Ú¾Ï¤Ø¤È¤Ê¤À¤ì¹þ¤à¤Î¤Ç¤¹¡£¤Þ¤µ¤Ë¡Ö²»¤Î¥É¥é¥Þ¡×¤Ç¤¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥Ô¥Ã¥Ä¥§¥Ã¥Æ¥£
¶ÊÌÜ¡¦ÆâÍƥ衼¥¼¥Õ¡¦¥Ï¥¤¥É¥ó¡Ê1732-1809¡Ë1-3.¥Ð¥ê¥È¥ó»°½ÅÁÕ¶Ê Âè69ÈÖ ¥ËĹĴ Hob.XI:69¡Ê1768¡ËI. AdagioII. Menuet: AllegrettoIII. Finale: Presto4-6.¥Ð¥ê¥È¥ó»°½ÅÁÕ¶Ê Âè9ÈÖ ¥¤Ä¹Ä´ Hob.XI:9¡Ê1770¡ËI. ModeratoII. MenuettIII. Finale: Allegro7-9.¥Ð¥ê¥È¥ó»°½ÅÁÕ¶Ê Âè58ÈÖ ¥ËĹĴ Hob.XI:58¡Ê1768¡ËI. ModeratoII. MinuettoIII. Finale: Allegro di molto10-12.¥Ð¥ê¥È¥ó»°½ÅÁÕ¶Ê Âè61ÈÖ ¥ËĹĴ Hob.XI:61¡Ê1768¡ËI. AllegroII. AndantinoIII. Menuett13-15.¥Ð¥ê¥È¥ó»°½ÅÁÕ¶Ê Âè87ÈÖ ¥¤Ã»Ä´ Hob.XI:87¡Ê1771¡ËI. AdagioII. Allegro moltoIII. Menuetto16-18.¥Ð¥ê¥È¥ó»°½ÅÁÕ¶Ê Âè55ÈÖ ¥ÈĹĴ Hob.XI:55¡Ê1768¡ËI. ModeratoII. MenuettIII. Finale: Allegro di molto¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥Ð¥ì¥ó¥·¥¢¡¦¥Ð¥ê¥È¥ó¡¦¥×¥í¥¸¥§¥¯¥È¡Î¥á¥ó¥Ð¡¼¡Ï¥Þ¥·¥å¡¼¡¦¥Ù¥¤¥«¡¼¡Ê¥Ð¥ê¥È¥ó¡Ë¥¨¥¹¥Æ¥Ð¥ó¡¦¥Ç¡¦¥¢¥ë¥á¥¤¥À¡¦¥ì¥¤¥¹¡Ê¥ô¥£¥ª¥é¡Ë¥¢¥ì¥Ã¥¯¥¹¡¦¥Õ¥ê¡¼¥É¥Û¥Õ¡Ê¥Á¥§¥í¡Ë¥ì¥³¡¼¥Ç¥£¥ó¥°2020ǯ7·î30Æü-8·î2ÆüCastell de Riba-roja de Túria¡Ê¥¹¥Ú¥¤¥ó¡Ë¾¦ÉÊÈֹ桧8.574188Treasures from the Esterháza Palace¥¨¥¹¥Æ¥ë¥Ï¡¼¥¸µÜ¤ÎÊõʪ¥Ï¥¤¥É¥ó¡Ê1732-1809¡Ë¡§¥Ð¥ê¥È¥ó»°½ÅÁնʽ¸ ¡Î¥Ð¥ì¥ó¥·¥¢¡¦¥Ð¥ê¥È¥ó¡¦¥×¥í¥¸¥§¥¯¥È¡Ï HAYDN, J.: Baryton Trios, Hob.XI:9, 55, 58, 61, 69, 87 (Treasures from the Esterháza Palace) (Valencia Baryton Project)CD ȯÇäÆü¡§2021ǯ07·î23Æü NML¥¢¥ë¥Ð¥àÈֹ桧8.574188 NAXOS¡Î8.574...¡Ï¥è¡¼¥¼¥Õ¡¦¥Ï¥¤¥É¥ó¤Ï¡¢Ä¹¤¤´Ö¡¢ÍµÊ¡¤Ê¥¨¥¹¥Æ¥ë¥Ï¡¼¥¸²È¤ÎµÜÄî²»³Ú²È¤È¤·¤ÆÊô¿¦¤·¤Æ¤¤¤Þ¤·¤¿¡£¤È¤ê¤ï¤±ÈबµÜÄî³ÚŤò̳¤á¤Æ¤¤¤¿»þ´ü¤ÎÅö¼ç¤Ç¤¢¤Ã¤¿¥Ë¥³¥é¥¦¥¹1À¤¡Ê1714-1790¡Ë¤Ï²»³Ú¤Ë¿¼¤¤Íý²ò¤ò¼¨¤·¡¢¥Ï¥¤¥É¥ó¤Î³èÆ°¤ò¾©Î夷¤¿¤¿¤á¡¢¥Ï¥¤¥É¥ó¤Ï¤½¤ì¤Ë±þ¤¨¤ë¤Ù¤¯¿ô¿¤¯¤ÎºîÉʤòÀ¸¤ß½Ð¤·¡¢Ç®¿´¤Ë±éÁÕ¤·¤¿¤Î¤Ç¤¹¡£¤½¤Î¥Ë¥³¥é¥¦¥¹1À¤¤¬¹¥¤ó¤À¤Î¤¬¡Ö¥Ð¥ê¥È¥ó¡×¤Ç¤·¤¿¡£¤³¤ì¤Ï17À¤µª¸åȾ¤Ëȯ°Æ¤µ¤ì¤¿¥ô¥£¥ª¡¼¥ë°¤Î»¤¸¹³Ú´ï¤Ç¡¢Ä̾ï6ËÜ¡Á7ËܤΥ¬¥Ã¥È¸¹¤È¡¢Á°Ì̤òÈĤÇʤ¤ï¤ì¤¿9Ëܤ«¤é24ËÜ¡Ê12Ëܤ¬Â¿¤¤¡Ë¤Î¶â°¸¹¤ò»ý¤Ã¤Æ¤ª¤ê¡¢¤³¤Á¤é¤Ï¶¦Ìĸ¹¤Ç¤¢¤ë¤ÈƱ»þ¤Ë¡¢º¸¼ê¤Î¿Æ»Ø¤Ç¤Ï¤¸¤¯¤³¤È¤¬½ÐÍè¤ë¤È¤¤¤¦¤â¤Î¡£¤·¤«¤·¡¢¸¹¤¬Â¿¤¤¤¿¤áÄ´¸¹¤â±éÁÕ¤â¤È¤Æ¤â»êÆñ¤Ç¤¢¤ê¡¢19À¤µª¤Ë¤Ï¤Û¤È¤ó¤ÉÇѤì¤Æ¤·¤Þ¤¤¤Þ¤·¤¿¡£¥Ï¥¤¥É¥ó¤Ï¤³¤Î³Ú´ï¤Ë¤Ä¤¤¤Æ¤Û¤È¤ó¤ÉÃ챤¬¤Ê¤«¤Ã¤¿¤È¤µ¤ì¤Þ¤¹¤¬¡¢¼ç·¯¤Î¤¿¤á¤Ë³Ú´ï¤ò¸¦µæ¤·¡¢126¶Ê¤Î»°½ÅÁնʤò¤Ï¤¸¤á¡¢Æó½ÅÁնʤ䶨Áնʤòºî¶Ê¤·¤Æ¤¤¤Þ¤¹¡£¤³¤Î¥¢¥ë¥Ð¥à¤Ç¤Ï6¶Ê¤Î¥Ð¥ê¥È¥ó»°½ÅÁնʤò¼ýÏ¿¡¢¥Þ¥·¥å¡¼¡¦¥Ù¥¤¥«¡¼¤¬±éÁÕ¤¹¤ë¤Î¤Ï2004ǯ¤ËÀ©ºî¤µ¤ì¤¿Owen Morse-Brown¤Ë¤è¤ëÉü¸µ³Ú´ï¤Ç¡¢18À¤µª¤Îŵ²í¤Ê¶Á¤¤¬Ãé¼Â¤ËºÆ¸½¤µ¤ì¤Æ¤¤¤Þ¤¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥Ï¥¤¥É¥ó´ØÏ¢¾¦ÉÊ¥ê¥ó¥¯Âè2½¸8.574504
¶ÊÌÜ¡¦ÆâÍÆ1.¸¸ÁÛŪ»°½ÅÁÕ¶Ê ¥¤Ã»Ä´ 2.¥Ô¥¢¥Î»°½ÅÁÕ¶Ê Âè2ÈÖ ¥ÛĹĴ3-6.¥Ô¥¢¥Î»°½ÅÁÕ¶Ê Âè3ÈÖ ¥ÛÄ´ I. Allegro moderatoII. Scherzo: VivaceIII. Andante cantabileIV. Finale: Con moto7.¥ô¥¡¥¤¥ª¥ê¥ó¤È¥Ô¥¢¥Î¤Î¤¿¤á¤Î»Ò¼é²Î 8.¥ô¥¡¥¤¥ª¥ê¥ó¤È¥Ô¥¢¥Î¤Î¤¿¤á¤Î¥«¥ô¥¡¥Æ¥£¡¼¥Ê 9.¥ô¥¡¥¤¥ª¥ê¥ó¤È¥Ô¥¢¥Î¤Î¤¿¤á¤Î¥Ð¥¬¥Æ¥ë 10.¡ÖÀ»¤Ê¤ë¾¯Ç¯¡×¡Ê¥ô¥¡¥¤¥ª¥ê¥ó¤È¥Ô¥¢¥ÎÊÔ¡Ë¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥°¡¼¥ë¥É¡¦¥Ô¥¢¥Î»°½ÅÁÕÃÄ ¡Î¥á¥ó¥Ð¡¼¡Ï¥ë¡¼¥·¡¼¡¦¥°¡¼¥ë¥É¡Ê¥ô¥¡¥¤¥ª¥ê¥ó¡Ë ¥¢¥ê¥¹¡¦¥Ë¥¢¥ê¡¼¡Ê¥Á¥§¥í¡Ë¡Ä1-6¤Î¤ß ¥Ù¥ó¥¸¥ã¥ß¥ó¡¦¥Õ¥ê¥¹¡Ê¥Ô¥¢¥Î¡Ë¾¦ÉÊÈֹ桧8.570507¥¢¥¤¥¢¥é¥ó¥É¡Ê1879-1962¡Ë¡§¥Ô¥¢¥Î»°½ÅÁնʽ¸ ¡Î¥°¡¼¥ë¥É¡¦¥Ô¥¢¥Î¡¦¥È¥ê¥ª¡Ï IRELAND, J.: Piano Trios / Cavatina / Berceuse / Bagatelle / The Holy Boy (Gould Piano Trio)CD ¢£¼¼Æâ³ÚȯÇäÆü¡§2009ǯ07·î29Æü NML¥¢¥ë¥Ð¥àÈֹ桧8.570507 NAXOS¡Î8.570...¡Ï¥¤¥®¥ê¥¹²»³Ú¤Î¿¿¿ñ¤òÅÁ¤¨¤ë¥¢¥¤¥¢¥é¥ó¥É¡¢Èà¤ÎµÇ°¤¹¤Ù¤ºÇ½é¤Î¸¸Á۶ʤò¥¤¥®¥ê¥¹¤Î͵ʡ¤Ê¼Â¶È²È¡¢W.¥³¥Ù¥Ã¥È¤Ï¡Ö¼ã¤¥¤¥®¥ê¥¹¤Îºî¶Ê²È¤ÎºÍǽ¤òȯ·¡¤¹¤ë¡×ÌÜŪ¤Ç¼¼Æâ³Ú¥³¥ó¥¯¡¼¥ë¤ò¼çºÅ¤¹¤ë¤³¤È¤ò¹Í¤¨¤Þ¤·¤¿¡£Âè1²ó¤Î1905ǯ¤Î¥³¥ó¥¯¡¼¥ë¤Ë¤Ï67¤ÎºîÉʤ¬½¸¤Þ¤ê¡¢¸«»öÂè1°Ì¤ò¼Í»ß¤á¤¿¤Î¤ÏW.¥Ï¡¼¥ë¥¹¥È¡¼¥ó¡£Âè2°Ì¤Ï¥¢¥¤¥¢¥é¥ó¥É¤ÈƱ¤¸Ç¯¤ÎF.¥Ö¥ê¥Ã¥¸¤ÎºîÉʤ¬Áª¤Ð¤ì¤Þ¤·¤¿¡£¤Ç¡¢1907ǯ¤ÎƱ¥³¥ó¥¯¡¼¥ë¤ÇÂè1°Ì¤ÎºÂ¤Ëµ±¤¤¤¿¤Î¤¬¡¢¤³¤Î¥¢¥¤¥¢¥é¥ó¥É¤Î¸¸ÁÛŪ»°½ÅÁնʤǤ·¤¿¡£Èà¤Ï¤½¤ì¤«¤é¤âÁϺî¤ÎÍã¤ò¹¤²Â³¤±¡¢Æȼ«¤ÎºîÉʤò¿¤¯À¸¤ß½Ð¤¹¤³¤È¤È¤Ê¤Ã¤¿¤Î¤Ç¤¹¡£1938ǯ¤Ë½é±é¤µ¤ì¤¿Âè3È֤λ°½ÅÁնʤϥ¦¥©¥ë¥È¥ó¤ËÊû¤²¤é¤ì¤¿¤â¤Î¤Ç¤¹¤¬¡¢ÍºÂ礫¤ÄÍ©¸¼¤ÊºîÉ÷¤¬¤¤ï¤á¤ÆÌ¥ÎÏŪ¤È¸À¤¨¤ë¤Ç¤·¤ç¤¦¡£¤½¤¦¤½¤¦¡¢¥¢¥¤¥¢¥é¥ó¥É¤È¸À¤¨¤Ð¡¢É¬¤ºÉÕ¤¤¤Æ¤¯¤ë¡ÖÀ»¤Ê¤ë¾¯Ç¯¡×¤â¼ýÏ¿¤µ¤ì¤Æ¤¤¤Þ¤¹¡£º£²ó¤Ï¥ô¥¡¥¤¥ª¥ê¥ó¤È¥Ô¥¢¥ÎÈǤǤ¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥¢¥¤¥¢¥é¥ó¥É
¡ã¶ÊÌܡ䥷¥ç¡¼¥½¥ó(1855-1899):¥Ô¥¢¥Î»°½ÅÁÕ¶Ê ¥ÈûĴ Op.3¥é¥ô¥§¥ë(1875-1937):¥Ô¥¢¥Î»°½ÅÁÕ¶Ê ¥¤Ã»Ä´ M67¡ã±éÁÕ¡ä¥È¥ê¥ª¡¦¥á¥È¥é¥ë¡Ì¥ô¥£¥¯¥È¥ë¡¦¥á¥È¥é¥ë(¥Ô¥¢¥Î)¥Ê¥¿¥ó¡¦¥ß¥¨¥ë¥É¥ë(¥ô¥¡¥¤¥ª¥ê¥ó)¥í¡¼¥ë=¥¨¥ì¡¼¥Ì¡¦¥ß¥·¥§¥ë(¥Á¥§¥í)¡Í¥ì¥³¡¼¥Ç¥£¥ó¥°¡¦¥Ç¥£¥ì¥¯¥¿¡¼¡¢Ï¿²»µ»»Õ:¥±¥ó¡¦¥è¥·¥À¡ãÏ¿²»¡ä2023ǯ2·î20-23Æü¡¢¥á¥¹¡¦¥¢¥ë¥¹¥Ê¥ë¡¦¥Û¡¼¥ë¼ýÏ¿»þ´Ö: 59ʬ
¶ÊÌÜ¡¦ÆâÍÆ1.»³¤Î²Î¡Ê¥Õ¥ë¡¼¥È¤È¥Ô¥¢¥ÎÈÇ¡Ë¡Ê1949¡Ë 2-10.¥í¥á¥ª¤È¥¸¥å¥ê¥¨¥Ã¥È¡Ê1977¡Ë»ä¤Ï¤³¤ÎÌë¤Þ¤Ç¿¿¤ÎÈþ¤·¤µ¤ò¸«¤¿¤³¤È¤¬¤Ê¤¤¤¢¤Ê¤¿¤Ï¥Þ¥Ö½÷²¦¤ÈÌë¤Ë¶Á¤¯Îø¿Í¤ÎÀ¼¤Ï¶ä¤ÎÎë¤Î¤è¤¦¤ËÀ¡¤ß¤ª¤ª¡¢ÆǼؤο´Â¡¡ÄÈᤷ¤ß¤Ï»þ¤òŤ¯¤¹¤ë¡ÄÌĤ¯¤Î¤Ï¥Ê¥¤¥Á¥ó¥²¡¼¥ë¤ª¤¤¤Ç¡¢»ä¤Î¤¿¤á¤Ëµã¤¤¤Æ¤¯¤ì¥¨¥ó¥×¥Æ¥£¡¦¥¿¥¤¥¬¡¼¤³¤ì¤Û¤ÉÄˤޤ·¤¤ÏäϤʤ¤ 11-14.¥Õ¥ë¡¼¥È¡¢¥Á¥§¥í¤È¥Ô¥¢¥Î¤Î¤¿¤á¤Î»°½ÅÁնʡÊ1960¡Ë I. Largo misterioso - AllegroII. LargoIII. AndanteIV. Allegro molto15-22.»þÅø½ñ¡Ê1975¡Ë I. Matins (Nocturne)II. Lauds (Sunrise)III. Prime (6am)IV. Terce (Mid-morning)V. Sext (Noon)VI. None (Mid-afternooon)VII. Vespers (Evensong)VIII. Compline (Nightfall)23-26.4¤Ä¤Îµ§¤ê¡Ê2006¡ËFirst Prayer: quarter note = 60, without expressionSecond Prayer: half note = 50Third Prayer: Loud and Fast, quarter note = 144 (a palindrome)Last Prayer: quarter note = 69¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥Õ¥§¥ó¥¦¥£¥Ã¥¯¡¦¥¹¥ß¥¹¡Ê¥Õ¥ë¡¼¥È¡Ë¥Ç¥¤¥ô¥£¥Ã¥É¡¦¥ì¥¤¥º¥Ê¡¼¡Ê¥®¥¿¡¼¡Ë¡Ä2-10¥í¥Ê¥ë¥É¡¦¥È¡¼¥Þ¥¹¡Ê¥Á¥§¥í¡Ë¡Ä11-14¥ß¡¼¥Ï¡¦¥ê¡¼¡Ê¥Ô¥¢¥Î¡Ë¡Ä1,11-14,23-26¥¢¥ó¡¦¥Û¥Ö¥½¥ó¡¦¥Ñ¥¤¥í¥Ã¥È¡Ê¥Ï¡¼¥×¡Ë¡Ä15-22¾¦ÉÊÈֹ桧8.559674¥í¡¼¥ì¥à¡Ê1923-¡Ë¡§¥Õ¥ë¡¼¥È¤òȼ¤¦¼¼Æâ³ÚºîÉʽ¸ ¡Î¥¹¥ß¥¹¡¿¥ì¥¤¥º¥Ê¡¼¡¿¥È¡¼¥Þ¥¹¡¿¥ê¡¼¡¿¥Ñ¥¤¥í¥Ã¥È¡Ï ROREM, N.: Chamber Music with Flute - Mountain Song / Romeo and Juliet / Trio / Book of Hours / Prayers (F. Smith, Leisner, Thomas, Mihae Lee, Pilot)CD ¢£¼¼Æâ³ÚȯÇäÆü¡§2011ǯ10·î19Æü NML¥¢¥ë¥Ð¥àÈֹ桧8.559674 NAXOS¡Î8.559...¡Ï1923ǯÀ¸¤Þ¤ì¤Î¥Í¥Ã¥É¡¦¥í¡¼¥ì¥à¡Ê1923-¡Ë¤Ï³µ¤Í²Î¶Êºî¶Ê²È¤È¤·¤ÆÃΤé¤ì¤Æ¤¤¤Þ¤¹¤¬¡¢Èà¤Ï¤½¤Î³èÆ°¤Î¤Û¤ÜÁ´°è¤ËÅϤäơ¢¥Õ¥ë¡¼¥È¤Î¤¿¤á¤ÎºîÉʤâ½ñ¤¤¤Æ¤¤¤Þ¤¹¡£¤³¤³¤Ë¼ýÏ¿¤µ¤ì¤¿¤Î¤Ï¡¢¤½¤ó¤ÊÌ¥ÎÏŪ¤Ê¶Ê¤Î¿ô¡¹¤Ç¤¹¡£¼ã¤¤º¢¤Ë¥Õ¥é¥ó¥¹¤Ë½»¤ó¤Ç¤¤¤¿¥í¡¼¥ì¥à¡¢¤ä¤Ï¤ê½é´ü¤ÎºîÉʤˤϥס¼¥é¥ó¥¯¤ä¥é¥ô¥§¥ë¡¢¥ë¡¼¥»¥ë¤Î±Æ¶Á¤¬¶¯¤¯´¶¤¸¤é¤ì¤Þ¤¹¡£¤½¤ó¤Ê¥â¥À¥ó¤µ¤È¥±¥ó¥¿¥Ã¥¡¼¤Î̱Íؤò³Ý¤±¹ç¤ï¤»¤¿¤«¤Î¤è¤¦¤Ê¡¢¡Ö»³¤Î²Î¡×¡Ê¤³¤ì¤Ï¡¢ÈबºÇ½é¤Ë½ñ¤¤¤¿´ï³Ú¤Î¤¿¤á¤Î¶Ê¤Ç¡¢¥ª¡¼¥Ü¥¨¡¢¤â¤·¤¯¤Ï¡¢¥ô¥¡¥¤¥ª¥ê¥ó¡¢¥Á¥§¥í¤Ç¤âÁÕ¤µ¤ì¤Þ¤¹¡Ë¤«¤é¡¢2006ǯ¤Î¡Ö4¤Ä¤Îµ§¤ê¡×¤Þ¤Ç¡¢¤ª¤è¤½50ǯ¤â¤Îǯ·î¤Ë¤è¤Ã¤Æ½ÏÀ®¤µ¤ì¤¿¥í¡¼¥ì¥à¤Î²Î¿´¤Ï¡¢Èþ¤·¤¯¤â°¥¤·¤¯¶Á¤ÅϤê¤Þ¤¹¡£Ì¾¼ê¥Õ¥§¥ó¥¦¥£¥Ã¥¯¡¦¥¹¥ß¥¹¤Î±éÁդǡ£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥í¡¼¥ì¥à
¥¨¥ë¥ó¥¹¥È¡¦¥¯¥·¥§¥Í¥¯ - Ernst Krenek (1900-1991)¡¦2¤Ä¤Î¥Ä¥¡¥¤¥È¥ê¡¼¥À¡¼ Op. 215¥Õ¥£¥ê¥¹¡¦¥Ö¥ê¥ó¡á¥¸¥å¥ë¥½¥ó - Phyllis Bryn-Julson (¥½¥×¥é¥Î)¥¹¡¼¥¶¥ó¡¦¥¸¥§¥ó¥»¥ó - Susan Jensen (¥ô¥¡¥¤¥ª¥ê¥ó)¡¦3¤Ä¤Î²Î Op. 216¥Õ¥£¥ê¥¹¡¦¥Ö¥ê¥ó¡á¥¸¥å¥ë¥½¥ó - Phyllis Bryn-Julson (¥½¥×¥é¥Î)¥¹¡¼¥¶¥ó¡¦¥¹¥ô¥ë¥Á¥§¥¯ - Susan Svr?ek (¥Ô¥¢¥Î)¡¦¥ô¥¡¥¤¥ª¥ê¥ó¤È¥ª¥ë¥¬¥ó¤Î¤¿¤á¤Î¥½¥Ê¥¿ Op. 231¥Ú¡¼¥¿¡¼¡¦¥Þ¡¼¥·¥å - Peter Marsh (¥ô¥¡¥¤¥ª¥ê¥ó)¥Þ¡¼¥¯¡¦¥í¥Ö¥½¥ó - Mark Robson (¥ª¥ë¥¬¥ó)¡¦12¤Î²»¹â¤Ë¤è¤ë¸¹³Ú»°½ÅÁÕ¶Ê Op. 237¥Ú¡¼¥¿¡¼¡¦¥Þ¡¼¥·¥å - Peter Marsh (¥ô¥¡¥¤¥ª¥ê¥ó)¥¸¥ã¥ó¡¦¥«¡¼¥ê¥ó - Jan Karlin (¥ô¥£¥ª¥é)¥ì¥¤¥È¥ó¡¦¥Õ¥©¥ó - Leighton Fong (¥Á¥§¥í)¡¦¥Û¥ë¥ó¤È¥ª¥ë¥¬¥ó¤Î¤¿¤á¤Î¥½¥Ê¥¿ Op. 239¥¸¥§¥Õ¡¦¥Õ¥©¥ó¡¦¥Ç¥ë¡¦¥·¥å¥ß¥Ã¥È - Jeff von der Schmidt (¥Û¥ë¥ó)¥Þ¡¼¥¯¡¦¥í¥Ö¥½¥ó - Mark Robson (¥ª¥ë¥¬¥ó)¡¦¥Ô¥¢¥Î¡¦¥½¥Ê¥¿Âè7ÈÖ Op. 240¥ô¥£¥Ã¥¡¦¥ì¥¤ - Vicki Ray (¥Ô¥¢¥Î)¡¦¥Ç¥£¥ª¥Õ¥©¥Ë¡¼ Op. 241¥ì¥¤¥È¥ó¡¦¥Õ¥©¥ó - Leighton Fong (¥Á¥§¥í)¥ê¥Á¥ã¡¼¥É¡¦¥Ê¥¤¥ë - Richard Naill (¥Á¥§¥í)Ï¿²»: 5, 8, 9 July 1995, Bridges Hall of Music, Pomona College, United States
¡Ø¥Ù¡¼¥È¡¼¥ô¥§¥ó:¸¹³Ú»Í½ÅÁնʽ¸(Á´¶Ê)¡Ù¡ã¶ÊÌÜ¡ä¥Ù¡¼¥È¡¼¥ô¥§¥ó:[CD1] (1)Âè3ÈÖ ¥ËĹĴ Op.18-3 (2)Âè1ÈÖ ¤ØĹĴ Op.18-1(3)Âè2ÈÖ ¥ÈĹĴ Op.18-2[CD2] (1)Âè4ÈÖ ¥ÏûĴ Op.18-4 (2)Âè5ÈÖ ¥¤Ä¹Ä´ Op.18-5 (3)Âè6ÈÖ ÊÑ¥íĹĴ Op.18-6[CD3] (1)Âç¥Õ¡¼¥¬ ÊÑ¥íĹĴ Op.133 (2)Âè11ÈÖ ¥ØûĴ¡Ö¥»¥ê¥ª¡¼¥½¡×Op.95 (3)Âè12ÈÖ ÊÑ¥ÛĹĴ Op.127[CD4] (1)Âè7ÈÖ ¥ØĹĴ Op.59-1(¥é¥º¥â¥Õ¥¹¥¡¼Âè1ÈÖ)(2)Âè10ÈÖ ÊÑ¥ÛĹĴ¡Ö¥Ï¡¼¥×¡×Op.74[CD5] (1)Âè8ÈÖ ¥ÛûĴ Op.59-2(¥é¥º¥â¥Õ¥¹¥¡¼Âè2ÈÖ) (2)Âè13ÈÖ ÊÑ¥íĹĴ Op.130[CD6] (1)Âè9ÈÖ ¥ÏĹĴ Op.59-3(¥é¥º¥â¥Õ¥¹¥¡¼Âè3ÈÖ) (2)Âè14ÈÖ ±Å¥ÏûĴ Op.131[CD7] (1)Âè15ÈÖ ¥¤Ã»Ä´ Op.132 (2)Âè16ÈÖ ¥ØĹĴOp.135¡ã±éÁա䥿¡¼¥ê¥Ò¸¹³Ú»Í½ÅÁÕÃÄ¡Ì¥Ú¡¼¥Æ¥ë¡¦¥á¥Ã¥·¥§¥ì¥¦¥ë(Vn)¡¢¥ä¥ó¡¦¥¯¥ô¥¡¥Ô¥ë(Vn)¡¢¥ä¥ó¡¦¥¿¡¼¥ê¥Ò(Vla)¡¢¥¨¥ô¥¼¥ó¡¦¥é¥Ã¥¿¥¤(Vc)¡Í¡ãÏ¿²»¡ä1977-81ǯ
"¥ì¥ª¥·¥å¡¦¥ä¥Ê¡¼¥Á¥§¥¯ - Leo? Jana?ek (1854-1928) ¡¦¥é¥·¥å¥¹¥³Éñ¶Ê JW VI/17 ¡¦ÁÈ¶Ê Op. 3, JW VI/6 ¡¦¼ç¤èÎù¤ì¤ßµë¤¨ JW III/5 ¡¦¼ç¤Îµ§¤ê JW IV/29 ¥ê¥ô¥£¥¢¡¦¥¢¥°¥Û¥ô¥¡ - Livia Aghova (¥½¥×¥é¥Î) ¥Ó¥ë¥®¥Ã¥È¡¦¥ì¥ó¥á¥ë¥È - Birgit Remmert (¥¢¥ë¥È) ¥Ú¡¼¥¿¡¼¡¦¥¹¥È¥é¡¼¥« - Peter Straka (¥Æ¥Î¡¼¥ë) ¥Ñ¥ô¥§¥ë¡¦¥À¥Ë¥ë¥¯ - Pavel Daniluk (¥Ð¥¹) ¥Ú¡¼¥¿¡¼¡¦¥Ç¥£¥Ã¥± - Peter Dicke (¥ª¥ë¥¬¥ó) ¥¶¥Ó¡¼¥Í¡¦¥Æ¥£¡¼¥ë - Sabine Thiel (¥Ï¡¼¥×) ¥±¥ë¥óÊüÁ÷¸ò¶Á³ÚÃÄ - Cologne Radio Symphony Orchestra Ë̥ɥ¤¥ÄÊüÁ÷¹ç¾§ÃÄ - North German Radio Chorus ¥±¥ë¥óÊüÁ÷¹ç¾§ÃÄ - Cologne Radio Chorus ¥²¥ë¥È¡¦¥¢¥ë¥Ö¥ì¥Ò¥È - Gerd Albrecht (»Ø´ø) Ï¿²»: 2-3 June 2000"
¶ÊÌÜ¡¦ÆâÍÆDisc 11-4.¥Ô¥¢¥Î¸Þ½ÅÁÕ¶Ê ¥ÈûĴ Op.30I. IntroductionII. ScherzoIII. LargoIV. Finale1-3.¥Ô¥¢¥Î»Í½ÅÁÕ¶Ê ¥ÛĹĴ Op.20I. Allegro brillanteII. Adagio piu tosto largoIII. Finale: Allegro molto4-7.¥Ô¥¢¥Î»°½ÅÁÕ¶Ê ¥ËĹĴ Op.22I. AllegroII. Allegro moltoIII. Andante espressivoIV. Finale: Allegro con brio¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥¢¥ó¥Ê¡¦¥¶¥Ã¥·¥â¥ï¡Ê¥Ô¥¢¥Î¡Ë¥¢¥ë¥Ö¥ì¥Ò¥È¡¦¥Ö¥í¥¤¥Ë¥ó¥¬¡¼¡Ê¥ô¥¡¥¤¥ª¥ê¥ó¡Ë¥·¥å¥Æ¥Õ¥¡¥ó¡¦¥¯¥é¥Ä¥Ê¥ê¥Ã¥¯¡Ê¥ô¥¡¥¤¥ª¥ê¥ó¡Ë¥æ¥ê¥¨¥ó¡¦¥Ï¥¤¥Ò¥§¥ë¥Ù¥Ã¥¯¡Ê¥ô¥£¥ª¥é¡Ë¥Ù¥ë¥ó¥Ï¥ë¥È¡¦¥ì¡¼¥ë¥Ò¥ã¡¼¡Ê¥Á¥§¥í¡Ë¾¦ÉÊÈֹ桧777793¥¿¥Í¡¼¥¨¥Õ¡Ê1856-1915¡Ë¡§¥Ô¥¢¥Î¼¼Æâ³Ú¶Ê½¸ ¡Î¥¶¥Ã¥·¥â¥ï¡¿¥Ö¥í¥¤¥Ë¥ó¥¬¡¼¡¿¥¯¥ë¥º¥Ê¥ê¥Ã¥¯¡¿¥Ï¥¤¥Ò¥§¥ë¥Ù¥Ã¥¯¡¿¥ì¥ë¥Ò¥ã¡¼¡Ï TANEYEV, S.I.: Chamber Music - Piano Quintet / Piano Quartet / Piano Trio (Zassimova, Breuninger, Krznaric, Heichelbech, Lörcher)2CD ¢£¼¼Æâ³ÚȯÇäÆü¡§2014ǯ05·î30Æü NML¥¢¥ë¥Ð¥àÈֹ桧777793-2 CPO¡ÖÂаÌË¡¤ÎÂç²È¡×¤È¸À¤ï¤ì¤ë¥í¥·¥¢¤Îºî¶Ê²È¥¿¥Í¡¼¥¨¥Õ¡Ê1856-1915¡Ë¡£¥â¥¹¥¯¥ï²»³Ú±¡¤Ç¥Ë¥³¥é¥¤¡¦¥ë¥Ó¥ó¥·¥Æ¥¤¥ó¤Ë¥Ô¥¢¥Î¡¢ºî¶Ê¤ò¥Á¥ã¥¤¥³¥Õ¥¹¥¡¼¤Ë³Ø¤ó¤ÀÈà¤Ï¡¢¥Ô¥¢¥Ë¥¹¥È¤È¤·¤Æ¤âºî¶Ê²È¤È¤·¤Æ¤âÍ¥¤ì¤¿ºÍǽ¤òȯ´ø¤·¡¢³ÆÃϤdzèÌö¤·¤Þ¤·¤¿¡£1878ǯ¤Ë¤Ï¥â¥¹¥¯¥ï²»³Ú±¡¤ÎÏÂÀ¼¡¢³Ú´ïË¡¤Î¶µ¼ø¤ò̳¤á¡¢1881ǯ¤Ë¤Ï¥Ô¥¢¥Î²Ê¤Î¶µ¼ø¡¢¤½¤·¤Æ1885ǯ¤«¤é¤Ï4ǯ´Ö±¡Ä¹¿¦¤Ë¤¢¤ë¤Ê¤É¡¢¶µ»Õ¤È¤·¤Æ¤â¶ÈÀÓ¤ò»Ä¤·¤Æ¤¤¤Þ¤¹¡£ÂаÌË¡¤Ë¤Ä¤¤¤Æ¤Ï´öºý¤«¤ÎÃø½ñ¤â¤¢¤ê¡¢¤Þ¤¿¥Á¥ã¥¤¥³¥Õ¥¹¥¡¼¤Î̤´°¤ÎºîÉʤòÊäÉ®¤¹¤ë¤Ê¤É¡¢¸åÀ¤¤ËµÚ¤Ü¤·¤¿±Æ¶Á¤âÂ礤ʿͤǤ·¤¿¡£¤³¤Î¥¢¥ë¥Ð¥à¤Ë¤ÏÈà¤Î¥Ô¥¢¥Î¤ò´Þ¤à3¶Ê¤Î¼¼Æâ³ÚºîÉʤ¬¼ýÏ¿¤µ¤ì¤Æ¤¤¤Þ¤¹¡£¤É¤Î¶Ê¤â±éÁÕ»þ´Ö40ʬ¤òĶ¤¨¤ëÂçºî¤Ç¤¢¤ê¡¢Èà¤Î»ý¤ÁÌ£¤¬ºÇÂç¸ÂÀ¸¤«¤µ¤ì¤¿¡¢¥í¥·¥¢¤Î°¥½¥Éº¤¦Èþ¤·¤¤¥á¥í¥Ç¥£¤¬ËþºÜ¤ÎÄ°¤¤´¤¿¤¨¤¢¤ëºîÉʤǤ¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥¿¥Í¡¼¥¨¥Õ
¶ÊÌÜ¡¦ÆâÍÆ1-3.¸¹³Ú»Í½ÅÁÕ¶Ê Âè1ÈÖ Op.50 I. AllegroII. Andante moltoIII. Andante4-23.¤Ä¤«¤Î¤Þ¤Î¸¸±Æ Op.22¡ÊS.¥µ¥à¥½¥Î¥Õ¤Ë¤è¤ë¸¹³Ú»Í½ÅÁÕÈÇ¡Ë I. LentamenteII. AndanteIII. AllegrettoIV. Animato - Piu sostenutoV. Molto giocosoVI. Con eleganzaVII. PittorescoVIII. CommodoIX. Allegretto tranquilloX. RidicolosamenteXI. Con vivacitaXII. Assai moderatoXIII. AllegrettoXIV. FeroceXV. InquietoXVI. DolenteXVII. PoeticoXVIII. Con una dolce lentezzaXIX. Presto agitatissimo e molto accentuatoXX. Lento irrealmente24-26.¸¹³Ú»Í½ÅÁÕ¶Ê Âè2ÈÖ Op.92 I. Allegro sostenutoII. AdagioIII. Allegro¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥¨¥Í¥ë¥¸¥¨¡¦¥Î¡¼¥ô¥§¸¹³Ú»Í½ÅÁÕÃÄ ¡Î¥á¥ó¥Ð¡¼¡Ï¥Ï¥ó¥¹¡¦¥ê¥ô¥£¥¢¥Ù¥Ã¥é¡Ê¥ô¥¡¥¤¥ª¥ê¥ó¡Ë¥Ð¥ë¥Ð¥é¡¦¥Á¥¢¥ó¥Ê¥á¡¼¥¢¡Ê¥ô¥§¥¤¥ª¥ê¥ó¡Ë¥¤¥ô¥¡¥ó¡¦¥ô¥¯¥Á¥§¥ô¥£¥Á¡Ê¥ô¥£¥ª¥é¡Ë ¥Õ¥§¥ê¥Ã¥¯¥¹¡¦¥Õ¥©¡¼¥²¥ë¥¶¥ó¥¯¡Ê¥Á¥§¥í¡Ë¥ì¥³¡¼¥Ç¥£¥ó¥°2009ǯ9·î28-30Æü¡Ä1-3.24-262012ǯ5·î28Æü¡Ä4-23¥¹¥¤¥¹,¥ë¥¬¡¼¥Î Auditorio S. Molo, RSI Lugano¾¦ÉÊÈֹ桧CDS-726¥×¥í¥³¥Õ¥£¥¨¥Õ¡Ê1891-1953¡Ë¡§¸¹³Ú»Í½ÅÁնʽ¸ ¡Î¥¨¥Í¥ë¥¸¥¨¡¦¥Î¡¼¥ô¥§»Í½ÅÁÕÃÄ¡Ï PROKOFIEV, S.: String Quartets Nos. 1 and 2 / Visions fugitives (Quartetto Energie Nove)CD ¢£¼¼Æâ³ÚȯÇäÆü¡§2013ǯ05·î22Æü NML¥¢¥ë¥Ð¥àÈֹ桧CDS726 DYNAMIC¥¹¥¤¥¹¡¦¥¤¥¿¥ê¥¢¸ìÊüÁ÷´É¸¹³ÚÃĤÎ4¿Í¤Î¼óÀÊÁռԤˤè¤Ã¤Æ·ëÀ®¤µ¤ì¤¿¥¨¥Í¥ë¥¸¥¨¡¦¥Î¡¼¥ô¥¡¸¹³Ú»Í½ÅÁÕÃÄ¡Ê¥¢¥ó¥µ¥ó¥Ö¥ë¤Î̾Á°¤Ï20À¤µª½éƬ¤Î¥¤¥¿¥ê¥¢¤Îʸ·Ý»¨»ï¤Î¥¿¥¤¥È¥ë¤«¤é¼è¤é¤ì¤¿¡Ë¤Ë¤è¤ëÁϤŪ¤Ç¶ÛÌ©¤Ê¥×¥í¥³¥Õ¥£¥¨¥Õ¡Ê1891-1953¡Ë¤Î3¤Ä¤ÎºîÉʽ¸¤Ç¤¹¡£¥×¥í¥³¥Õ¥£¥¨¥Õ¤Î¸¹³Ú»Í½ÅÁÕ¶ÊÂè1È֤ϡ¢1931ǯ¤ËÊƹñµÄ²ñ¿Þ½ñ´Û¤Î°Ñ¾ü¤Ë¤è¤Ã¤Æ½ñ¤«¤ì¤¿¤â¤Î¡£Âè2³Ú¾Ï¤ÎÇ»¸ü¤Ê´¶¾ðɽ¸½¤ÇÃΤé¤ì¤Æ¤¤¤Þ¤¹¡£¥×¥í¥³¥Õ¥£¥¨¥Õ¼«¿È¤Ï¤È¤ê¤ï¤±Âè3³Ú¾Ï¤¬µ¤¤ËÆþ¤Ã¤Æ¤¤¤¿¤è¤¦¤Ç¡¢¼«¿È¤Ç¸¹³Ú¹çÁÕÍѤȥԥ¢¥ÎÆÈÁÕÍѤËÊԶʤ·¡¢¤³¤Á¤é¤â¤è¤¯±éÁÕ¤µ¤ì¤Þ¤¹¡£Âè2ÈÖ¤Ï1941ǯ¤ÎºîÉʤǡ¢Åö»þ¤Î¥Ê¥Á¥¹¡¦¥É¥¤¥Ä¤Î¥½Ï¢¿¯¹¶¤Î¤¢¤ª¤ê¤ò¼õ¤±¤ÆÁ³«¤·¤¿Àè¤Î¥«¥Ð¥ë¥À̱Íؤä̱²²»³Ú¤ò¼è¤êÆþ¤ì¤¿¤â¤Î¡£¥Õ¥é¥ó¥¹¤Î»í¿Í¥Ð¥ê¥â¥ó¥È¤Î»í¤«¤é¥¿¥¤¥È¥ë¤¬¤È¤é¤ì¤¿¡Ö¤Ä¤«¤Î¤Þ¤Î¸¸±Æ¡×¤Ï¡¢¤â¤È¤â¤È¥Ô¥¢¥ÎÆÈÁնʤǤ¹¤¬¡¢1995ǯ¤Ë¥µ¥à¥½¥Î¥Õ¤¬¸¹³Ú»Í½ÅÁÕÈǤËÊԶʡ£¤³¤³¤Ç¤Ï¤³¤Î¥ô¥¡¡¼¥¸¥ç¥ó¤Ç±éÁÕ¤·¤Æ¤¤¤Þ¤¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥×¥í¥³¥Õ¥£¥¨¥Õ
¶ÊÌÜ¡¦ÆâÍÆ1-9.¥Ñ¥ë¥Æ¥£¡¼¥¿ Op.35¡Ê1959¡Ë¥¨¥ì¥¸¡¼¥¹¥±¥ë¥Ä¥©¼çÂê¤ÈÊÑÁÕ - ¼çÂê¼çÂê¤ÈÊÑÁÕ - Âè1ÊÑÁÕ¡§¥¢¥ì¥°¥í¡¦¥¤¥ó¥¯¥£¥¨¡¼¥È¼çÂê¤ÈÊÑÁÕ - Âè2ÊÑÁÕ¡§¥ª¥¹¥Æ¥£¥Ê¡¼¥È¼çÂê¤ÈÊÑÁÕ - Âè3ÊÑÁÕ¡§¹Ô¿Ê¶Ê¼çÂê¤ÈÊÑÁÕ - Âè4ÊÑÁÕ¡§¾ðǮŪ¤Ë¼çÂê¤ÈÊÑÁÕ - Âè5ÊÑÁÕ¡§¥ï¥ë¥Ä¼çÂê¤ÈÊÑÁÕ - Âè6ÊÑÁÕ¡§¥³¥é¡¼¥ë10.¥¨¥ì¥¸¡¼ Op.5¡Ê1949¡Ë11-13.̵ȼÁÕ¥Á¥§¥í¡¦¥½¥Ê¥¿ Op.52¡Ê1967¡Ë¥é¥á¥ó¥È¤È¥Ô¥Ä¥£¥«¡¼¥È¥È¥Ã¥«¡¼¥¿¤È»Ò¼é²ÎÁõ¾þŪ¤Ë¡¢¥·¥ã¥³¥ó¥Ì¤È¥³¡¼¥À14.¥¢¥ì¥ë¥ä¡¢¤ï¤ì¤é¤¬²á±Û¤Î»ÒÍÓ¡Ê1981¡Ë¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥é¥Õ¥¡¥¨¥ë¡¦¥¦¥©¥ë¥Õ¥£¥Ã¥·¥å¡Ê¥Á¥§¥í¡Ë¥é¥Õ¥¡¥¨¥ë¡¦¥Æ¥Ã¥í¡¼¥Ë¡Ê¥Ô¥¢¥Î¡Ë¡Ä1-10.14¥ì¥³¡¼¥Ç¥£¥ó¥°2009ǯ4·î8Æü¡Ä1-132010ǯ2·î18Æü¡Ä14UK ¥¹¥È¡¼¥¯¡¦¥À¥Ð¥Î¥ó¡¢¥á¥Ë¥å¡¼¥¤¥ó¡¦¥Û¡¼¥ë¾¦ÉÊÈֹ桧8.571358¥ì¥¤¥È¥ó¡Ê1928-1988¡Ë¡§¥Á¥§¥í¤Î¤¿¤á¤Î¼¼Æâ³Ú¶ÊÁ´½¸ ¥¨¥ì¥¸¡¼¡¿¥Ñ¥ë¥Æ¥£¡¼¥¿¡¿¥½¥Ê¥¿¥¢¥ì¥ë¥ä¡¢¤ï¤ì¤é¤¬²á±Û¤Î»ÒÍÓ ¡Î¥¦¥©¥ë¥Õ¥£¥Ã¥·¥å¡¿¥Æ¥Ã¥í¡¼¥Ë¡Ï LEIGHTON, K.: Chamber Works for Cello (Complete) - Elegy / Partita / Cello Sonata / Alleluia Pascha Nostrum (Wallfisch, Terroni)CD ȯÇäÆü¡§2015ǯ07·î29Æü NML¥¢¥ë¥Ð¥àÈֹ桧8.571358 NAXOS¡Î8.571...¡Ï¥¤¥®¥ê¥¹¶á¸½Âå²»³ÚºîÉʤΥê¥ê¡¼¥¹¤Ë¤Ä¤¤¤Æ¡¢Â¾¤ÎÄÉ¿ï¤òµö¤µ¤Ê¤¤¤Î¤âNAXOS¤ÎÆÃħ¤È¤¤¤¨¤Þ¤·¤ç¤¦¤«¡£¤³¤Î¥±¥Í¥¹¡¦¥ì¥¤¥È¥ó¡Ê1928-1988¡Ë¤ÎºîÉʽ¸¤â¤½¤ó¤Ê1Ëç¡£ºî¶Ê²È¤Î̾Á°¤ÎÃÎ̾Å٤Ϥµ¤Æ¤ª¤¡¢¤â¤¦°ì¤Ä¤Î¥¤¥®¥ê¥¹¤Î¥ì¡¼¥Ù¥ëCHANDOS¤ÈNAXOS¤¬µó¤Ã¤ÆÈà¤ÎºîÉʤòÏ¿²»¤·¤Æ¤¤¤ë¤Î¤Ç¤¹¡£¥ì¥¤¥È¥ó¤Ï¥ª¥Ã¥¯¥¹¥Õ¥©¡¼¥É¤Î¥¯¥£¡¼¥ó¥º¡¦¥«¥ì¥Ã¥¸¤Î³ØÀ¸¤À¤Ã¤¿20ºÐ¤Î¤È¤¤Ë¡¢ºÇ½é¤ÎÆÈÁÕ¥Á¥§¥í¤Î¤¿¤á¤ÎºîÉʤò½ñ¤¤Þ¤·¤¿¡£¤½¤Î3³Ú¾Ï¤«¤é¤Ê¤ë¥ØûĴ¤ÎºîÉʤϡ¢»ÄÇ°¤Ê¤¬¤é¸½ºß´°Á´¤Ê·Á¤Ç¤Ï»Ä¤Ã¤Æ¤¤¤Þ¤»¤ó¤¬¡¢¤½¤ÎÊ·°Ïµ¤¤ÏOp.5¤Î¡Ö¥¨¥ì¥¸¡¼¡×¤Ø¤Î¼õ¤±·Ñ¤¬¤ì¤Æ¤¤¤Þ¤¹¡£¤³¤Î¶Ê¤ÎÃæ¤Ë¤Ï¡¢Èà¤ÎÀèã¤Ç¤¢¤ë¥ì¥¤¥Õ¡¦¥ô¥©¡¼¥ó¡¦¥¦¥£¥ê¥¢¥à¥º¤ä¥Õ¥£¥ó¥¸¡¢¥Ï¥¦¥¨¥ë¥º¤é¤Î±Æ¶Á¤¬¶¯¤¯È¿±Ç¤µ¤ì¤Æ¤¤¤Þ¤¹¡£¤½¤Î¤ª¤è¤½10ǯ¸å¤Ë½ñ¤«¤ì¤¿¡Ö¥Ñ¥ë¥Æ¥£¡¼¥¿¡×¤ÏÌöưŪ¤ÊÉôʬ¤ÈÆâ¾ÊŪ¤ÊÉôʬ¤¬¸òºø¤¹¤ë¸ÄÀŪ¤ÊºîÉʤǤ¹¡£1959ǯ¤Î̵ȼÁÕ¥Á¥§¥í¡¦¥½¥Ê¥¿¤Ï¡¢ÌÀ¤é¤«¤ËJ.S.¥Ð¥Ã¥Ï¤Ø¤Î¥ª¥Þ¡¼¥¸¥å¤Ç¤¹¤¬¡¢¶Ê¼«ÂΤ«¤é¤Ï¥Ð¥Ã¥Ï¤é¤·¤µ¤ÏÈù¿Ð¤â´¶¤¸¤é¤ì¤º¡¢¹ÓÎ俤ëÀ¤³¦¤Î¤ß¤¬¹¤¬¤ê¤Þ¤¹¡£Èà¤Î2ÈÖÌܤκʤΤ¿¤á¤Ë½ñ¤«¤ì¤¿¡Ö¥¢¥ì¥ë¥ä¡×¤Î¿ÀÈëŪ¤ÊÐʤޤ¤¤â°õ¾ÝŪ¤Ç¤¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥ì¥¤¥È¥ó
¶ÊÌÜ¡¦ÆâÍÆ¥¢¥ì¥¯¥µ¥ó¥É¥ë¡¦¥¹¥¯¥ê¥ã¡¼¥Ó¥ó¡Ê1872-1915¡Ë1.¸¸ÁÛ¶Ê ¥íûĴ Op.28¡Ê1900¡Ë2-3.2¤Ä¤Î¨¶½¶Ê Op.12¡Ê1895¡Ë4-9.6¤Ä¤ÎÁ°ÁÕ¶Ê Op.13¡Ê1895¡Ë10.Îý½¬¶Ê Op.2 No.1¡Ê1887¡Ë11-22.12¤ÎÎý½¬¶Ê Op.8¡Ê1894¡Ë23.±éÁÕ²ñÍÑ¥¢¥ì¥°¥í Op.18¡Ê1896¡Ë¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥À¥Ë¥¨¥é¡¦¥í¡¼¥Þ¡Ê¥Ô¥¢¥Î ¡Ä Steinway D 274¡Ë¥ì¥³¡¼¥Ç¥£¥ó¥°2022ǯ3·î15-17ÆüStudio Griffa¡¡¥ß¥é¥Î¡Ê¥¤¥¿¥ê¥¢¡Ë¤½¤Î¾¤Î»ÅÍͤʤÉÁí¼ýÏ¿»þ´Ö¡§ 64ʬ¾¦ÉÊÈֹ桧CDS-7984Visionary and Poet - Ì´Á۲ȤȻí¿Í¥¹¥¯¥ê¥ã¡¼¥Ó¥ó¡Ê1872-1915¡Ë¡§Á°Áնʡ¿Îý½¬¶Ê ¾ ¡Î¥À¥Ë¥¨¥é¡¦¥í¡¼¥Þ¡Ê¥Ô¥¢¥Î¡Ë¡Ï SCRIABIN, A.: Piano Music (Scriabin Visionary and Poet) (Roma)CD ȯÇäÆü¡§2023ǯ05·î26Æü NML¥¢¥ë¥Ð¥àÈֹ桧CDS7984 DYNAMIC¿ÀÈë¼çµÁ¼Ô¤Ç¡¢»Â¿·¤ÊÏÂÀ¼¤ò¶î»È¤·¤¿Á°±ÒŪ¤ÊºîÉʤò½ñ¤¤¤¿¥¹¥¯¥ê¥ã¡¼¥Ó¥ó¤Ç¤¹¤¬¡¢¼ã¤¤º¢¤Ï¥·¥ç¥Ñ¥ó¤Î±Æ¶Á¤¬´¶¤¸¤é¤ì¤ë¥í¥Þ¥ó¥Æ¥£¥Ã¥¯¤ÊºîÉʤò¿¤¯½ñ¤¤¤Æ¤¤¤Þ¤¹¡£¤³¤Î¥¢¥ë¥Ð¥à¤Ç¤Ï¡¢¤½¤Î¤è¤¦¤Ê½é´üºîÉʤòÃæ¿´¤ËÁª¶Ê¡£¥¢¥ë¥Ð¥à¡¦¥¿¥¤¥È¥ëÄ̤ꡢ¡ÖÌ´Á۲Ȥˤ·¤Æ»í¿Í¡×¤È¤·¤Æ¤Î¥¹¥¯¥ê¥ã¡¼¥Ó¥ó¤ÎÀ¤³¦¤Ø¤ÈͶ¤¤¤Þ¤¹¡£±éÁդϥ¤¥¿¥ê¥¢½Ð¿È¤Î¥À¥Ë¥¨¥é¡¦¥í¡¼¥Þ¡£¥ô¥£¥Ü¡¦¥ô¥¡¥ì¥ó¥Æ¥£¥¢²»³Ú±¡¤Ç³Ø¤ó¤À¸å¡¢¥¢¥à¥¹¥Æ¥ë¥À¥à¤ä¥¶¥ë¥Ä¥Ö¥ë¥¯¤Ç¸¦ïÓ¤òÀѤߡ¢¹ñºÝŪ¤Ê¥Ô¥¢¥Ë¥¹¥È¤È¤·¤Æ³èÌö¤·¤Æ¤¤¤Þ¤¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥¹¥¯¥ê¥ã¡¼¥Ó¥ó
¶ÊÌÜ¡¦ÆâÍƥߥ¯¥ê¡Ê1819-1897¡Ë1-4.ÂçÆó½ÅÁÕ¶Ê ¥¤Ä¹Ä´ Op.26 I. Andante con espressioneII. Allegro giojosoIII. Lento quasi fantasiaIV. Finale: Allegro appassionato¥Æ¥ì¥Õ¥»¥ó¡Ê1823-1874¡Ë5-8.¥ô¥¡¥¤¥ª¥ê¥ó¡¦¥½¥Ê¥¿ Âè1ÈÖ ¥ÈĹĴ Op.19 I. Allegro moderatoII. Adagio con molto espressioneIII. Scherzo: PrestoIV. Finale: Allegro vivace9-11.¥ô¥¡¥¤¥ª¥ê¥ó¡¦¥½¥Ê¥¿ Âè2ÈÖ ¥ÛûĴ Op.37 I. AllegroII. InterludeIII. Theme varie¥Õ¥£¥ë¥Á¡Ê1830-1845¡Ë12.¥¢¥ì¥°¥ì¥Ã¥È¤ÈÊÑÁÕ¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥ô¥©¥¤¥Æ¥¯¡¦¥×¥í¥Ë¥¨¥ô¥£¥Á¡Ê¥ô¥¡¥¤¥ª¥ê¥ó¡Ë¥¢¥ì¥¯¥µ¥ó¥É¥ë¡¦¥ä¥³¥Ó¥Ä¥§¡á¥®¥È¥Þ¥ó¡Ê¥Ô¥¢¥Î¡Ë¥ì¥³¡¼¥Ç¥£¥ó¥°2010ǯ1·î25-26Æü¡Ä5-8.122010ǯ1·î28-29Æü¡Ä1-4.9-11¥Ý¡¼¥é¥ó¥É ¥ï¥ë¥·¥ã¥ï¡¢¥Ý¡¼¥é¥ó¥É¡¦¥é¥¸¥ª¡¦Âè2¥¹¥¿¥¸¥ª¾¦ÉÊÈֹ桧8.57246¥·¥ç¥Ñ¥ó¤ÎÄï»Ò¤¿¤Á¤Ë¤è¤ë¥ô¥¡¥¤¥ª¥ê¥ó¤È¥Ô¥¢¥Î¤Î¤¿¤á¤ÎºîÉʽ¸ ¡Î¥×¥í¥Ë¥¨¥ô¥£¥Á¡¿¥ä¥³¥Ó¥Ä¥§¡á¥®¥È¥Þ¥ó¡Ï Pupils of Chopin - MIKULI, K. / TELLEFSEN, T.D.A. / FILTSCH, C.: Violin and Piano Works (Proniewicz, Jakobidze-Gitman)CD ȯÇäÆü¡§2011ǯ06·î15Æü NML¥¢¥ë¥Ð¥àÈֹ桧8.572460 NAXOS¡Î8.572...¡Ï»Õ¤Ç¤¢¤ë¥·¥ç¥Ñ¥ó¤Ï¼ê³Ý¤±¤ë»ö¤Î¤Ê¤«¤Ã¤¿¥ô¥¡¥¤¥ª¥ê¥ó¶Ê¡¢Èà¤Î»×¤¤¤ò·Ñ¤¤¤ÀÄï»Ò¤¿¤Á¤¬»×¤¤»×¤¤¤Î²Ö¤òºé¤«¤»¤ë´û¤Ë¥ê¥ê¡¼¥¹¤µ¤ì¤Æ¤¤¤ë¡Ö¥·¥ç¥Ñ¥ó¤ÎÄï»Ò¤¿¤Á¡×¡Ê8.572344¡Ë¤Ï¡¢¥·¥ç¥Ñ¥ó¤Î¸å·Ñ¼Ô¤¿¤Á¤Î¤·¤é¤ì¤¶¤ë¥Ô¥¢¥ÎºîÉʤò½¸¤á¤¿¥¢¥ë¥Ð¥à¤Ç¤·¤¿¤¬¡¢¤³¤Á¤é¤Ï¤â¤Ã¤ÈÄÁ¤·¤¤¡¢Èà¤é¤Î¥ô¥¡¥¤¥ª¥ê¥óºîÉʤò½¸¤á¤¿¤â¤Î¤Ç¤¹¡£º£²ó¤â¥ß¥¯¡¼¥ê¡¢¥Æ¥ì¥Õ¥»¥ó¡¢¥Õ¥£¥ë¥Á¤Î3¿Í¤ÎºÍǽ¤¢¤ëÄï»Ò¤¿¤Á¤¬Åо줷¤Þ¤¹¡£Ä¾ÀÜ¥·¥ç¥Ñ¥ó¤«¤é¶µ¤¨¤ò¼õ¤±¤Æ¤¤¤ë¤È¤Ï¤¤¤¨¡¢¤½¤ÎÅö»þ¤Ï¥ï¡¼¥°¥Ê¡¼¤ä¥ê¥¹¥È¡¢¤½¤·¤Æ¥Ñ¥¬¥Ë¡¼¥Ë¤é¤Î²»³Ú¤Î±Æ¶Á¤â¸«Æ¨¤»¤Þ¤»¤ó¡£1860ǯ¤Ë½ñ¤«¤ì¤¿¥ß¥¯¡¼¥ê¤ÎÆó½ÅÁնʤϡ֥ѥ¬¥Ë¡¼¥Ë¤Î¥é¥¤¥Ð¥ë¡×¤È¾Î¤µ¤ì¤¿¥ê¥Ô¥ó¥¹¥¡¼¤ËÊû¤²¤é¤ì¤¿¶Ê¡£»×¤¤¤Î¾³×¿·Åª¤Ê²»³Ú¤Ç¤¹¤¬¡¢¥Ô¥¢¥Î½ñË¡¤Î»ê¤ë¤È¤³¤í¤Ë¡¢¤ä¤Ï¤ê¥·¥ç¥Ñ¥ó¤Î¹á¤ê¤ò´¶¤¸¤Þ¤¹¡£¥Æ¥ì¥Õ¥»¥ó¤ÎºîÉʤϡ¢¥·¥ç¥Ñ¥ó¤è¤ê¤â¥Ù¡¼¥È¡¼¥ô¥§¥ó¤È¥°¥ê¡¼¥°¤é¤·¤µ¤ò´¶¤¸¤µ¤»¡¢³Î¼Â¤Ë»þÂå¤Îή¤ì¤ò»×¤¤µ¯¤³¤µ¤»¤ë¤³¤È¤Ç¤·¤ç¤¦¡£15ºÐ¤Ç¤½¤ÎÀ¸³¶¤òÊĤ¸¤Æ¤·¤Þ¤Ã¤¿¥Õ¥£¥ë¥Á¤ÎºîÉʤϡ¢¤Þ¤À¤Þ¤À¹Óºï¤ê¤Ç¤¹¤¬¡¢Æ÷¤¤Î©¤Ä¤è¤¦¤ÊºÍǽ¤ò´¶¤¸¤µ¤»¤ë¤â¤Î¤Ç¤¹¡£ÈबĹ¼÷¤òÁ´¤¦¤·¤¿¤é¤É¤ì¤Û¤ÉÁÇÀ²¤é¤·¤¤¶Ê¤ò»Ä¤·¤¿¤Ç¤·¤ç¤¦¤«¡©ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥Æ¥ì¥Õ¥»¥ó¥Õ¥£¥ë¥Á¥ß¥¯¥ê
¥ô¥¡¡¼¥Õ¥ó¡¦¥Û¥ë¥ó¥Ü¡¼ - Vagn Holmboe (1909-1996)¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè1ÈÖ Op.46¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè3ÈÖ Op.48¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè4ÈÖ Op.63¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè2ÈÖ Op.47¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè5ÈÖ Op.66¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè6ÈÖ Op.78¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè7ÈÖ Op.86¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè8ÈÖ Op.87¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè9ÈÖ Op.92¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè10ÈÖ Op.102¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè11ÈÖ Op.111¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè12ÈÖ Op.116¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè13ÈÖ Op.124¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè14ÈÖ Op.125¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè15ÈÖ Op.135¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè17ÈÖ Op.152¡Ö¥Þ¥Ã¥Æ¥£¥Ê¡¼¥¿¡×¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè19ÈÖ Op.156¡Ö¥»¥ì¥Ê¡¼¥¿¡×¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè20ÈÖ Op.160¡Ö¥Î¥Ã¥È¥¥¥ë¥Î¡×¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè16ÈÖ Op.146¡¦¸¹³Ú»Í½ÅÁÕ¶ÊÂè18ÈÖ Op.153¡Ö¥¸¥ç¥ë¥Ê¡¼¥¿¡×¡¦·²¤ì Op.190B¡¦¥¯¥¡¥ë¥Æ¥Ã¥È¡¦¥»¥ì¡¼¥Î¡Ê°äºî¡Ë¥³¥ó¥È¥é»Í½ÅÁÕÃÄ
¶ÊÌÜ¡¦ÆâÍÆDisc 11-4.¥Ô¥¢¥Î»°½ÅÁÕ¶Ê Âè3ÈÖ ¥ØûĴ Op.65 ¡Ê1883¡Ë5-10.¥Ô¥¢¥Î»°½ÅÁÕ¶Ê Âè4ÈÖ ¥ÛûĴ Op.90 ¡Ö¥É¥¥¥à¥¡¼¡× ¡Ê1890-91¡ËDisc 21-3.¥Ô¥¢¥Î»Í½ÅÁÕ¶Ê Âè1ÈÖ ¥ËĹĴ Op.23 ¡Ê1875¡Ë4-7.¥Ô¥¢¥Î»Í½ÅÁÕ¶Ê Âè2ÈÖ ÊÑ¥ÛĹĴ Op.87 ¡Ê1889¡ËDisc 31-3.¥Ô¥¢¥Î¸Þ½ÅÁÕ¶Ê Âè1ÈÖ ¥¤Ä¹Ä´ Op.5 ¡Ê1872¡Ë4-8.¥Ð¥¬¥Æ¥ë Op.47 ¡Ê1878¡Ë9-12.¥Ô¥¢¥Î¸Þ½ÅÁÕ¶Ê Âè2ÈÖ ¥¤Ä¹Ä´ Op.81 ¡Ê1887¡ËDisc 41-4.¥Ô¥¢¥Î»°½ÅÁÕ¶Ê Âè1ÈÖ ÊÑ¥íĹĴ Op.21 ¡Ê1875¡Ë5-8.¥Ô¥¢¥Î»°½ÅÁÕ¶Ê Âè2ÈÖ ¥ÈûĴ Op.26 ¡Ê1876¡Ë¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥Ö¥Ã¥·¥å»°½ÅÁÕÃÄ¡Î¥á¥ó¥Ð¡¼¡Ï¥Þ¥Æ¥£¥¦¡¦¥Õ¥¡¥ó¡¦¥Ù¥ì¥ó¡Ê¥ô¥¡¥¤¥ª¥ê¥ó¡Ë¥ª¥ê¡¦¥¨¥×¥¹¥¿¥¤¥ó¡Ê¥Á¥§¥í¡Ë¥ª¥à¥ê¡¦¥¨¥×¥¹¥¿¥¤¥ó¡Ê¥Ô¥¢¥Î¡Ë¥ß¥²¥ë¡¦¥À¡¦¥·¥ë¥ô¥¡¡Ê¥ô¥£¥ª¥é¡Ë ¡Ä DISC2¡¢3¥Þ¥ê¥¢¡¦¥ß¥ë¥¹¥Æ¥¤¥ó¡Ê¥ô¥¡¥¤¥ª¥ê¥ó¡Ë ¡Ä DISC3¥ì¥³¡¼¥Ç¥£¥ó¥°2015ǯ11·î-2018ǯ8·î¥¨¥ê¥¶¥Ù¡¼¥È²»³Ú±¡¥Û¡¼¥ë¡¢¥Ù¥ë¥®¡¼¡¢¥ï¡¼¥Æ¥ë¥í¡¼¾¦ÉÊÈֹ桧ALPHA467¥É¥ô¥©¥ë¥¶¡¼¥¯¡Ê1841-1904¡Ë¡§¥Ô¥¢¥Î¤È¸¹³Ú¤Î¤¿¤á¤Î¼¼Æâ³ÚºîÉÊÁ´½¸¡Î4ËçÁÈBOX¡Ï¡Ê¥Ô¥¢¥Î»°½ÅÁնʡ¢¥Ô¥¢¥Î»Í½ÅÁնʡ¢¥Ô¥¢¥Î¸Þ½ÅÁÕ¶Ê¡Ë ¡Î¥Ö¥Ã¥·¥å»°½ÅÁÕÃÄ¡¢¥ß¥²¥ë¡¦¥À¡¦¥·¥ë¥ô¥¡¡Ê¥ô¥£¥ª¥é¡Ë¡¢¥Þ¥ê¥¢¡¦¥ß¥ë¥¹¥Æ¥¤¥ó¡Ê¥ô¥¡¥¤¥ª¥ê¥ó¡Ë¡ÏCD 4ËçÁÈ È¯ÇäÆü¡§2019ǯ09·î27Æü Alpha Classics¼ã¤¥È¥ê¥ª¤Ë¤è¤ë¥É¥ô¥©¥ë¥¶¡¼¥¯2012ǯ¤Ë¥í¥ó¥É¥ó¤Ç·ëÀ®¤µ¤ì¤¿¥Ö¥Ã¥·¥å»°½ÅÁÕÃÄ¡£¥á¥ó¥Ð¡¼¤Î¥Þ¥Æ¥£¥¦¤¬¥¢¥É¥ë¥Õ¡¦¥Ö¥Ã¥·¥å¤Î½êͤ·¤Æ¤¤¤¿¥°¥¡¥À¥Ë¡¼¥Ë¤Î¥ô¥¡¥¤¥ª¥ê¥ó¤ò»ÈÍѤ·¤Æ¤¤¤ë¤³¤È¤«¤é¡¢¤³¤Î̾¥ô¥¡¥¤¥ª¥ê¥Ë¥¹¥È¤Î̾Á°¤ò´§¤·¤Æ¤¤¤Þ¤¹¡£ALPHA¥ì¡¼¥Ù¥ë¤«¤é¥ê¥ê¡¼¥¹¤·¤¿¥É¥ô¥©¥ë¥¶¡¼¥¯¤Î¼¼Æâ³Ú¤ò½¸¤á¤¿CD4Ëç¤ò½¸¤á¤¿¤³¤ÎBOX¤Ï¡¢¥Ô¥¢¥Î¤È¸¹³Ú´ï¤Ë¤è¤ë¼¼Æâ³ÚºîÉÊÁ´½¸¤È¤Ê¤Ã¤Æ¤¤¤Þ¤¹¡£»Í½ÅÁնʤȸ޽ÅÁնʤǤϡ¢¥í¥·¥¢½Ð¿È¤ÎƱÀ¤Âå¤Î¥ô¥¡¥¤¥ª¥ê¥Ë¥¹¥È ¥Þ¥ê¥¢¡¦¥ß¥ë¥¹¥Æ¥¤¥ó¤È¡¢¥Õ¥é¥ó¥¹½Ð¿È¤Î°ìÀ¤Âå¾å¤Î¥ô¥£¥ª¥éÁÕ¼Ô¥À¡¦¥·¥ë¥ô¥¡¤ò·Þ¤¨¡¢Èà¤é¤Ê¤é¤Ç¤Ï¤Î¿ð¡¹¤·¤¤²»³Ú¤Ë±ü¿¼¤µ¤ò²Ã¤¨¤Æ¤¤¤Þ¤¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥É¥ô¥©¥ë¥¶¡¼¥¯
¶ÊÌÜ¡¦ÆâÍÆ1-3.¸¹³Ú»Í½ÅÁÕ¶Ê Âè1ÈÖI. Adagio - Allegretto SeriousoII. Allegretto GiocondoIII. Tempo di Marcia quasi Passacaglia4-6.¸¹³Ú»Í½ÅÁÕ¶Ê Âè2ÈÖI. Allegro risolutoII. Molto adagio Molto legatoIII. Allegro vivo7-10.¸¹³Ú»Í½ÅÁÕ¶Ê Âè3ÈÖI. Allegro marcatoII. Adagio sostenutoIII. Allegro PressanteIV. Tempo di Marcia11-14.¸¹³Ú»Í½ÅÁÕ¶Ê Âè4ÈÖI. Allegro agitatoII. Poco lentoIII. Tempo di MarciaIV. Angoscioso¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥ô¥£¥ê¥¢¡¼¥º¸¹³Ú»Í½ÅÁÕÃÄ¡Î¥á¥ó¥Ð¡¼¡Ï¥¸¥§¡¼¥à¥º¡¦¥Ç¥£¥¥ó¥½¥ó¡ÊÂè1¥ô¥¡¥¤¥ª¥ê¥ó¡Ë¥Ò¥¬¥·¥¿¥Þ¥¡ÊÂè2¥ô¥¡¥¤¥ª¥ê¥ó¡Ë¥«¥ë¥á¥ó¡¦¥Õ¥í¡¼¥ì¥¹¡Ê¥ô¥£¥ª¥é¡Ë¥Ë¥³¥é¥¹¡¦¥¹¥È¥ê¥ó¥°¥Õ¥§¥í¡¼¡Ê¥Á¥§¥í¡Ë¥ì¥³¡¼¥Ç¥£¥ó¥°2013ǯ7·î18.19Æü¡Ä7-142014ǯ1·î20.21Æü¡Ä1-6UK ¥í¥ó¥É¥ó¡¢À»¥·¥é¥¹½Þ¶µ¼Ô¶µ²ñ¾¦ÉÊÈֹ桧8.571353¥¹¥Æ¥£¥ë¡Ê1910-1971¡Ë¡§¸¹³Ú»Í½ÅÁնʽ¸ ¡Î¥ô¥£¥ê¥¢¡¼¥º»Í½ÅÁÕÃÄ¡Ï STILL, R.: String Quartets Nos. 1-4 (Villiers Quartet)CD ȯÇäÆü¡§2014ǯ11·î26Æü NML¥¢¥ë¥Ð¥àÈֹ桧8.571353 NAXOS¡Î8.571...¡Ï¥í¥ó¥É¥ó¤Î²»³ÚŪ¤Ê²ÈÄí¤ËÀ¸¤Þ¤ì¤¿¥í¥Ð¡¼¥È¡¦¥¹¥Æ¥£¥ë¡Ê1910-1971¡Ë¡£Éã¤ÈÁÄÉã¤Ï¥í¥ó¥É¥ó¤Ç̾¹â¤¤ÊÛ¸î»Î¤Ç¤¢¤ê¡¢16ºÐË´¤¯¤Ê¤Ã¤¿Äï¤È¡¢¥ª¡¼¥¹¥È¥é¥ê¥¢¤Ë°Ü½»¤·¤¿»Ð¤¬¤¤¤Þ¤·¤¿¡£¥¤¡¼¥È¥ó¡¦¥«¥ì¥Ã¥¸¡¢¥ª¥Ã¥¯¥¹¥Õ¥©¡¼¥ÉÂç³Ø¡¦¥È¥ê¥Ë¥Æ¥£¡¦¥«¥ì¥Ã¥¸¤Ç¶µ°é¤ò¼õ¤±¡¢·Ý½Ñ³Ø³Ø»Î¡¦·Ý½Ñ³Ø½¤»Î¡¦²»³Ú³Ø³Ø»Î¤Î¾Î¹æ¤òÆÀ¤Þ¤¹¡£¤Þ¤¿ºî¶Ê²È¤È¤·¤Æ¤À¤±¤Ç¤Ê¤¯¡¢¥Æ¥Ë¥¹¤Ë¤âÍ¥¤ì¤¿ÏÓÁ°¤ò¸«¤»¡¢¥¢¥Þ¥Á¥å¥¢¡¦¥×¥ì¥¤¥ä¡¼¤È¤·¤Æ³èÌö¤·¤Æ¤¤¤Þ¤·¤¿¡£¤½¤Î¸å¤âºî¶Ê¤ò³¤±¡¢¸ò¶Á¶ÊÂè3È֤ϥ桼¥¸¥ó¡¦¥°¡¼¥»¥ó¥¹¤Ë¹â¤¯É¾²Á¤µ¤ì¡¢¥ª¥Ã¥¯¥¹¥Õ¥©¡¼¥ÉÂç³Ø¤«¤éÇî»Î¹æ¤ò¼õ¤±¤Æ¤¤¤Þ¤¹¡£±ß½Ï´ü¤Ë¤Ï»É·ãŪ¤ÊÉÔ¶¨Ï²»¤ä̵Ĵ¤â»È¤ï¤ì¤Æ¤¤¤Þ¤¹¤¬¡¢Á´ÂÎŪ¤Ë²º¤ä¤«¤Ç¤¢¤ê¡¢Æ±À¤Âå¤Î¥¤¥®¥ê¥¹¤Îºî¶Ê²È¤¿¤Á¤ÎÈþÅÀ¤ò¤¦¤Þ¤¯¼è¤êÆþ¤ì¤¿¤¤é¤ê¤È¸÷¤ëÈþ¤·¤µ¤ò»ý¤Ã¤Æ¤¤¤ë¤â¤Î¤Ç¤¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥¹¥Æ¥£¥ë
¶ÊÌÜ¡¦ÆâÍÆ1-3.¥Á¥§¥í¡¦¥½¥Ê¥¿ ¥¤Ã»Ä´ Op.36I. Allegro agitatoII. Andante molto tranquilloIII. Allegro4.´ÖÁÕ¶Ê5.»ä¤Ë²¿¤¬¸À¤¨¤è¤¦¤«¡© Op.2-4¡ÊA.¥Õ¥ì¡¼¥ê¥Ò¤Ë¤è¤ë¥Á¥§¥í¤È¥Ô¥¢¥ÎÊÔ¡Ë6.¤ß¤Ê¤·»ù Op.4-1¡ÊA.¥Õ¥ì¡¼¥ê¥Ò¤Ë¤è¤ë¥Á¥§¥í¤È¥Ô¥¢¥ÎÊÔ¡Ë7.¥í¥Þ¥ó¥¹¤È²Î Op.18 - Âè5ÈÖ »íºîË¡¡ÊA.¥Õ¥ì¡¼¥ê¥Ò¤Ë¤è¤ë¥Á¥§¥í¤È¥Ô¥¢¥ÎÊÔ¡Ë8.¥ô¥¡¥¤¥ª¥ê¥ó¡¦¥½¥Ê¥¿ Âè3ÈÖ ¥ÏûĴ Op.45 - Âè2³Ú¾Ï¡ÊA.¥Õ¥ì¡¼¥ê¥Ò¤Ë¤è¤ë¥Á¥§¥í¤È¥Ô¥¢¥ÎÊÔ¡Ë9.4¤Ä¤Î¥Ç¥ó¥Þ¡¼¥¯¤Î²Î Op.5 - Âè3ÈÖ ·¯¤ò°¦¤¹¡ÊA.¥Õ¥ì¡¼¥ê¥Ò¤Ë¤è¤ë¥Á¥§¥í¤È¥Ô¥¢¥ÎÊÔ¡Ë10.²Î¶Ê½¸¡Ö»³¤ÎÍÅÀº¡×Op.67 - Âè8ÈÖ ¾®Àî¤Ç¡ÊA.¥Õ¥ì¡¼¥ê¥Ò¤Ë¤è¤ë¥Á¥§¥í¤È¥Ô¥¢¥ÎÊÔ¡Ë11.¥í¥Þ¥ó¥¹¤È¥Ð¥é¡¼¥É Op.9 - Âè3ÈÖ Í¼Êë¤ì¡ÊA.¥Õ¥ì¡¼¥ê¥Ò¤Ë¤è¤ë¥Á¥§¥í¤È¥Ô¥¢¥ÎÊÔ¡Ë12.Èá²ÎŪ¤Ê»í Op.59 - Âè6ÈÖ ¤¢¤Ê¤¿¤ÏÃϤË̲¤ë¡ÊA.¥Õ¥ì¡¼¥ê¥Ò¤Ë¤è¤ë¥Á¥§¥í¤È¥Ô¥¢¥ÎÊÔ¡Ë¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥é¥â¥ó¡¦¥ä¥Ã¥Õ¥§¡Ê¥Á¥§¥í¡Ë¥¢¥ó¥É¥ì¥¢¥¹¡¦¥Õ¥ì¡¼¥ê¥Ò¡Ê¥Ô¥¢¥Î¡Ë¥ì¥³¡¼¥Ç¥£¥ó¥°2006ǯ11·î21-23Æü¥¸¡¼¥á¥ó¥¹¡¦¥ô¥£¥é¡¢¥Ù¥ë¥ê¥ó¡á¥é¥ó¥¯¥ô¥£¥Ä¾¦ÉÊÈֹ桧777284¥°¥ê¡¼¥°¡Ê1843-1907¡Ë¡§¥Á¥§¥í¤È¥Ô¥¢¥Î¤Î¤¿¤á¤ÎºîÉʽ¸ ¡Î¥é¥â¥ó¡¦¥ä¥Ã¥Õ¥§¡Ê¥Á¥§¥í¡Ë¡¿¥¢¥ó¥É¥ì¥¢¥¹¡¦¥Õ¥ì¡¼¥ê¥Ò¡Ê¥Ô¥¢¥Î¡Ë¡Ï GRIEG, E.: Cello and Piano Music (Jaffe, Frolich)CD ȯÇäÆü¡§2019ǯ07·î26Æü NML¥¢¥ë¥Ð¥àÈֹ桧777284-2 CPO¥É¥¤¥Ä¤Î¥Á¥§¥ê¥¹¥È¡¢¥é¥â¥ó¡¦¥ä¥Ã¥Õ¥§¤¬±éÁÕ¤¹¤ë¥°¥ê¡¼¥°¤Î¥ª¥ê¥¸¥Ê¥ë¤Î¥Á¥§¥í¡¦¥½¥Ê¥¿¤ò´Þ¤àÍÍ¡¹¤ÊºîÉʽ¸¡£1866ǯ¡¢¥°¥ê¡¼¥°23ºÐ¤Î»þ¤Ë½ñ¤«¤ì¤¿¡Ö´ÖÁնʡפÏ1979ǯ¤Þ¤Ç½ÐÈǤµ¤ì¤ë¤³¤È¤Î¤Ê¤«¤Ã¤¿È뢤ζʤǡ¢Ì¤´°À®¤È¤Ê¤Ã¤¿ÁȶʤÎÃæ¤Î1ÊԤǤ¹¡£¤«¤¿¤ä¡Ö¥Á¥§¥í¡¦¥½¥Ê¥¿¡×¤Ï40ºÐ¤ÎºîÉÊ¡£½¼¼Â¤·¤¿ºîÉ÷¤Ë¤è¤ë¥°¥ê¡¼¥°Í£°ì¤Î¥Á¥§¥í¡¦¥½¥Ê¥¿¤Ç¤¹¡£Âè2³Ú¾Ï¤Ï¡Ø½½»ú·³¤Îʼ»Î¥·¥°¡¼¥ë¡Ù¤Î¡ÖÃéÀ¿¹Ô¿Ê¶Ê¡×¤«¤éήÍѤµ¤ì¤ë¤Ê¤É¡¢¹©Éפ¬¶Å¤é¤µ¤ì¤Æ¤¤¤Þ¤¹¡£¤¤¤¯¤Ä¤«¤Î²Î¶Ê¤Ï¡¢¥Ô¥¢¥Ë¥¹¥È¡¢¥Õ¥ì¡¼¥ê¥Ò¤¬¥Á¥§¥í¤Î¤¿¤á¤ËÊԶʤò»Ü¤·¤¿¤â¤Î¡£¥ä¥Ã¥Õ¥§¤Ï¥Á¥§¥í¤Î¿¼¤¤²»¿§¤òÀ¸¤«¤·¡¢ÀûΧ¤ÎÈþ¤·¤µ¤ò¥¹¥È¥ì¡¼¥È¤Ë²Î¤¤¾å¤²¤Æ¤¤¤Þ¤¹¡£¡ö²Á³Ê¤ò²þÄꤷ¤Æ¤ÎºÆ°ÆÆâ¤È¤Ê¤ê¤Þ¤¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥°¥ê¡¼¥°
¶ÊÌÜ¡¦ÆâÍÆ¥Ö¥ê¥Ã¥¸¡Ê1879-1941¡Ë1-3.¥Ô¥¢¥Î¸Þ½ÅÁÕ¶Ê ¥ËûĴ H49a¡Ê1904/1912¡ËÂè1³Ú¾Ï¡§Adagio - Allegro moderatoÂè2³Ú¾Ï¡§Adagio ma non troppo - Allegro con brio - Adagio ma non troppoÂè3³Ú¾Ï¡§Allegro energico¥¹¥³¥Ã¥È¡Ê1879-1970¡Ë4-7.¥Ô¥¢¥Î¸Þ½ÅÁÕ¶Ê Âè1ÈÖ¡Ê1911º¢¡ËÂè1³Ú¾Ï¡§Andante con esaltazioneÂè2³Ú¾Ï¡§Allegro grazioso ma non troppoÂè3³Ú¾Ï¡§Adagio con gran espressioneÂè4³Ú¾Ï¡§Finale¡§ Allegro con molto spirito¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥é¥Õ¥¡¥¨¥ë¡¦¥Æ¥Ã¥í¡¼¥Ë¡Ê¥Ô¥¢¥Î¡Ë¥Ó¥ó¥¬¥à¸¹³Ú»Í½ÅÁÕÃÄ¡Î¥á¥ó¥Ð¡¼¡Ï¥¹¥Æ¥£¡¼¥ô¡¦¥Ó¥ó¥¬¥à¡ÊÂè1¥ô¥¡¥¤¥ª¥ê¥ó¡Ë¥Þ¡¼¥¯¡¦¥á¥Ã¥»¥ó¥¸¥ã¡¼¡ÊÂè2¥ô¥¡¥¤¥ª¥ê¥ó¡Ë¥Ö¥ì¥ó¥À¡¦¥¹¥Á¥å¥ï¡¼¥È¡Ê¥ô¥£¥ª¥é¡Ë¥ß¥ê¥¢¥à¡¦¥í¥¦¥Ð¥ê¡¼¡Ê¥Á¥§¥í¡Ë¥ì¥³¡¼¥Ç¥£¥ó¥°1989ǯ9·î4-6Æü¥í¥ó¥É¥ó ¥Á¥ç¡¼¥¯¡¦¥Õ¥¡¡¼¥à¡¢À»¥µ¥¤¥é¥¹¡¦¥¶¡¦¥Þ¡¼¥¿¡¼¾¦ÉÊÈֹ桧8.571355¥Ö¥ê¥Ã¥¸¡Ê1879-1941¡Ë ¥¹¥³¥Ã¥È¡Ê1879-1970¡Ë¡§¥Ô¥¢¥Î¸Þ½ÅÁնʽ¸ ¡Î¥Æ¥Ã¥í¡¼¥Ë¡¿¥Ó¥ó¥¬¥à»Í½ÅÁÕÃÄ¡Ï BRIDGE, F.: Piano Quintet / SCOTT, C.: Piano Quintet No. 1 (Terroni, Bingham Quartet)CD ȯÇäÆü¡§2016ǯ01·î27Æü NML¥¢¥ë¥Ð¥àÈֹ桧8.571355 NAXOS¡Î8.571...¡Ï¿ô¿¤¤¥¤¥®¥ê¥¹¤Îºî¶Ê²È¤ÎÃæ¤Ç¤â¡ÖÆȼ«¤ÎÁ°±Ò²»³Ú¡×¤ò½ñ¤¯¤³¤È¤Ë¹´¤Ã¤¿¤È¤µ¤ì¤ë¥Õ¥é¥ó¥¯¡¦¥Ö¥ê¥Ã¥¸¡£¤½¤ÎÍýͳ¤Ï¡¢Â¾¤Îºî¶Ê²È¤¿¤Á¤¬¥¤¥®¥ê¥¹Ì±Íؤ˰͵ò¤·¤Æ¤â¡¢Èà¤Ï¥è¡¼¥í¥Ã¥Ñ¤Î¿·²»³Ú¤ò¹¥¤ß¡¢¤³¤Á¤é¤«¤éÃåÁÛ¤òÆÀ¤Æ¤¤¤¿¤«¤é¤À¤È¤µ¤ì¤Æ¤¤¤ë¤è¤¦¤Ç¤¹¡£¤·¤«¤·Èà¤ÎºîÉ÷¤¬Á°±ÒŪ¤Ë¤Ê¤Ã¤¿¤Î¤Ï¡¢Âè1¼¡À¤³¦ÂçÀï¤Î¸å¤Î¤³¤È¤Ç¤¢¤ê¡¢¼ã¤¤º¢¤Ï¥¹¥¿¥ó¥Õ¥©¡¼¥É¤ä¥Ö¥é¡¼¥à¥¹¤Ê¤É¤Î±Æ¶Á¤¬¤è¤¯¤ï¤«¤ë¶Ë¤á¤Æ¥í¥Þ¥ó¥Æ¥£¥Ã¥¯¤ÊºîÉʤò½ñ¤¤¤Æ¤¤¤Þ¤·¤¿¡£¤³¤Î¥Ô¥¢¥Î¸Þ½ÅÁդ⤽¤ó¤ÊºîÉʤΰì¤Ä¤Ç¡¢Á´ÊÔÙ³¾ðŪ¤Ç¡¢»þ¤Ë¤Ï¥é¥Õ¥Þ¥Ë¥Î¥Õ¤ò»×¤ï¤»¤ë¤è¤¦¤ÊÎ϶¯¤¤¥í¥Þ¥ó¥Æ¥£¥·¥º¥à¤¬Þý¤Ã¤Æ¤¤¤Þ¤¹¡£¥Ö¥ê¥Ã¥¸¤ÈƱ¤¸Ç¯¤ËÀ¸¤Þ¤ì¤¿¥·¥ê¥ë¡¦¥¹¥³¥Ã¥È¤Ï¡¢À¸Á°¤¢¤Þ¤ê¸Ü¤ß¤é¤ì¤Ê¤«¤Ã¤¿¿Í¤Ç¤¹¤¬¡¢ºÇ¶á¤Ë¤Ê¤Ã¤Æɾ²Á¤¬¹â¤Þ¤Ã¤Æ¤¤¤ë¤³¤È¤ÇÃΤé¤ì¤Æ¤¤¤Þ¤¹¡£Èà¤ÎºîÉʤϤɤì¤â¹µ¤¨¤á¤ÊÈþ¤·¤µ¤ËËþ¤Á¤Æ¤¤¤Æ¡¢´öʬ¥É¥Ó¥å¥Ã¥·¡¼¤ò»×¤ï¤»¤ë°õ¾ÝÇÉÉ÷¤ÎÏÂÀ¼¤¬¤¢¤Ã¤¿¤ê¤È¡¢¤Ê¤«¤Ê¤«Éî¤ì¤Ê¤¤¤â¤Î¤Ð¤«¤ê¤Ç¤¹¡£¤³¤Î¡Ö¥Ô¥¢¥Î¸Þ½ÅÁնʡפâËÁƬ¤Ç¤ÏÀŤ«¤Ê¿åÌ̤ò»×¤ï¤»¤ë²»³Ú¤Ê¤Î¤Ç¤¹¤¬¡¢¶Ê¤¬¿Ê¤à¤Ë¤Ä¤ì¡¢¾¯¤·¤º¤ÄÉԲIJò¤ÊÀ¤³¦¤¬·ÁÀ®¤µ¤ì¤Æ¤¤¤¤Þ¤¹¡£¤³¤Î¶ÌܤϤȤƤâÛ£Ëæ¤Ç¡¢¤¤¤Ä¤·¤«Ì¤¤¤Î¿¹¤Ë¤òƧ¤ßÆþ¤ì¤Æ¤·¤Þ¤Ã¤¿¤«¤Î¤è¤¦¡£¿ÀÈëŪ¤Ê¤â¤Î¤ò°¦¤·¤¿¤È¤¤¤¦ºî¶Ê²È¤Î¡¢¹¥¤ß¤ÎÊÒÎÚ¤¬¸«¤¨¤ë¤è¤¦¤Ê¶Ë¤á¤Æˤ«¤Ê²»³Ú¤Ç¤¹¡£BMS¤è¤ê°Ü¹ÔÈ׺î¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥¹¥³¥Ã¥È¥Ö¥ê¥Ã¥¸
¶ÊÌÜ¡¦ÆâÍÆ1-3.¸ò¶Á¶Ê Âè1ÈÖ¡Ö¥¨¥ì¥¸¡¼¡×¡Ê1965¡ËÂè1³Ú¾Ï¡§Á°ÁÕ¶Ê Lento moderatoÂè2³Ú¾Ï¡§ÍÙ¤ê Allegro moltoÂè3³Ú¾Ï¡§¥¨¥ì¥¸¡¼ Adagio - Allegro vivo - Adagio4.¥ê¥¹¥È¤Î¼çÂê¤Ë¤è¤ë¸¸Á۶ʡÊ1967¡Ë5.¥«¥×¥ê¥Ã¥Á¥ç¡Ê½¬ºî Âè1ÈÖ¡Ë¡Ê1969¡Ë6.¥½¥¹¥Æ¥Ì¡¼¥È¡Ê½¬ºî Âè2ÈÖ¡Ë¡Ê1969¡Ë7.¥Á¥å¡¼¥Ë¥ó¥°¡Ê1985¡ËÀ¤³¦½éÏ¿²»¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥í¥ó¥É¥ó¡¦¥Õ¥£¥ë¥Ï¡¼¥â¥Ë¡¼´É¸¹³ÚÃÄ¡Ä1-3¥¸¥ç¥ó¡¦¥¹¥Ê¥º¥Û¡¼¥ë»Ø´ø¡Ä1-3¥¹¥³¥Ã¥È¥é¥ó¥É¡¦¥Ê¥·¥ç¥Ê¥ë¡¦¥æ¡¼¥¹¡¦¥ª¡¼¥±¥¹¥È¥é¡Ä7¥¸¥ç¥ó¡¦¥Þ¥Ã¥±¥¤¥Ö¡Ê¥Ô¥¢¥Î¡Ä4-6¡¢»Ø´ø¡Ä7¡Ë¥ì¥³¡¼¥Ç¥£¥ó¥°1967ǯ5·î3-4Æü¥¤¥ó¥°¥é¥ó¥É ¥¨¥»¥Ã¥¯¥¹¡¢¥Ð¡¼¥¥ó¥°¡¦¥¢¥»¥ó¥Ö¥ê¡¼¡¦¥Û¡¼¥ë¡Ä1-31977ǯ¡Ä4-6¡¢ 1986ǯ1·î4Æü¥¹¥³¥Ã¥È¥é¥ó¥É ¥°¥é¥¹¥´¡¼¡¦¥·¥Æ¥£¡¦¥Û¡¼¥ë¡Ä7¾¦ÉÊÈֹ桧8.571370¥Þ¥Ã¥±¥¤¥Ö¡Ê1939-¡Ë¡§ºî¶Ê²È¡¢¥Ô¥¢¥Ë¥¹¥È¡¢»Ø´ø¼Ô¡Ê¸ò¶Á¶Ê Âè1ÈÖ¡Ö¥¨¥ì¥¸¡¼¡×¡¿¥ê¥¹¥È¤Î¼çÂê¤Ë¤è¤ë¸¸Á۶ʡ¿½¬ºî¡¿¥Á¥å¡¼¥Ë¥ó¥°¡Ë ¡Î¥¹¥Ê¥º¥Û¡¼¥ë¡¿¥Þ¥Ã¥±¥¤¥Ö¡Ï McCABE, J.: Composer, Pianist, Conductor - Symphony No. 1 / Liszt Fantasy / Studies / Tuning (Snashall, McCabe)CD ȯÇäÆü¡§2015ǯ01·î28Æü NML¥¢¥ë¥Ð¥àÈֹ桧8.571370 NAXOS¡Î8.571...¡Ï¥¸¥ç¥ó¡¦¥Þ¥Ã¥±¥¤¥Ö¡Ê1939-¡Ë¤Ï¥ê¥ô¥¡¥×¡¼¥ëÀ¸¤Þ¤ì¤Îºî¶Ê²È¡¢¥Ô¥¢¥Ë¥¹¥È¡¢¤½¤·¤Æ»Ø´ø¼Ô¤Ç¤¹¡£ÆüËܤǤÏÈæ³ÓŪ¥Ô¥¢¥Ë¥¹¥È¤È¤·¤Æ¤ÎÃÎ̾ÅÙ¤¬¹â¤¯¡¢1970ǯÂå¤ËÏ¿²»¤µ¤ì¤¿¥Ï¥¤¥É¥ó¤Î¥Ô¥¢¥Î¡¦¥½¥Ê¥¿Á´½¸¡ÊDECCA¡Ë¤Ï¡¢Îतµ©¤Ê¤ë´°àú¤µ¤ò¸Ø¤ë¥³¥ì¥¯¥·¥ç¥ó¤È¤·¤Æ¿Íµ¤¤ò³ÍÆÀ¤·¤¿¤Î¤Ç¤·¤¿¡£¤·¤«¤·¡¢Èà¤Ï7¶Ê¤Î¸ò¶Á¶Ê¤ò¤Ï¤¸¤á¡¢15¶Ê¤Î¶¨Áնʡ¢¤½¤Î¾¤¿¤¯¤µ¤ó¤Î¥Ô¥¢¥Î¶Ê¤ä¡¢ÉñÂæ²»³Ú¤Ê¤É¿´ô¤ËÅϤëºîÉʤò½ñ¤¤¤¿ºî¶Ê²È¤Ç¤â¤¢¤ê¤Þ¤¹¡£¥Ô¥¢¥Ë¥¹¥È¤È¤·¤Æ¤Ï2010ǯ¤Ë¡ÖºÇ¸å¤Î¸ø³«¥Ô¥¢¥Î¡¦¥ê¥µ¥¤¥¿¥ë¡×¤ò¹Ô¤¤¡¢»ö¼Â¾å¤Î°úÂàÀë¸À¤ò¤·¤¿Èà¤Ç¤¹¤¬¡¢¥Õ¥¡¥ó¤Ï¤Þ¤À¤Þ¤À¤½¤Î³èÌö¤ò´üÂÔ¤·¤Æ¤¤¤Þ¤¹¡£¤³¤Î¥¢¥ë¥Ð¥à¤Ç¤Ï¡¢Èà¤Î60ǯÂå¤ÎºîÉʤòÃæ¿´¤Ë¼ýÏ¿¡¢¤Ê¤«¤Ç¤â¡Ö¥Á¥å¡¼¥Ë¥ó¥°¡×¤ÏÈà¤ÎÍ£°ì¤Î¡Ö»Ø´ø¼Ô¡×¤È¤·¤Æ¤Î±éÁդǤ¹¡£¤½¤Î²»³Ú¤ÏÁÇÀ²¤é¤·¤¯Íµ¡Åª¤Ç¡¢¾ï¤Ë´¶¾ðˤ«¤Ç¤¢¤ê¡¢»þ¤È¤·¤ÆÇúȯŪ¤Ê¥¨¥Í¥ë¥®¡¼¤òÊü¼Í¤¹¤ë¤â¤Î¡£¤«¤Ê¤êÆþ¤êÁȤó¤À²»³Ú¤Ç¤¹¤¬¡¢Ì¥ÎÏŪ¤Ê¶Á¤¤òͤ·¤Æ¤¤¤Þ¤¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥Þ¥Ã¥±¥¤¥Ö
¶ÊÌÜ¡¦ÆâÍÆ¥Õ¥§¥ë¥Ç¥£¥Ê¥ó¥È¡¦¥Æ¥£¥¨¥ê¥ª¡Ê1838-1919¡Ë1-4.¸Þ½ÅÁÕ¶Ê ¥ÈĹĴ - 2¤Ä¤Î¥ô¥¡¥¤¥ª¥ê¥ó¡¢¥ô¥£¥ª¥é¤È2¤Ä¤Î¥Á¥§¥í¤Î¤¿¤á¤Ë¡Ê1914¡Ë5-6.2¤Ä¤Î¥¢¥À¡¼¥¸¥ç Op.41 - ¥ô¥£¥ª¥é¡¢¤Þ¤¿¤Ï¥Á¥§¥í¤È¥ª¥ë¥¬¥ó¤Î¤¿¤á¤Ë¡Ê1887¡Ë7-10.4¤Ä¤Î¸¸ÁÛ¶Ê Op.28 - ¥ô¥¡¥¤¥ª¥ê¥ó¤È¥Ô¥¢¥Î¤Î¤¿¤á¤ËNo.1. Quasi AndanteNo.2. Tempo moderatoNo.3. AndanteNo.4. Allegro11.¥é¥ë¥²¥Ã¥È - ¥ô¥£¥ª¥é¤È¥ª¥ë¥¬¥ó¤Î¤¿¤á¤Ë¡Êºî¶ÊǯÉԾܡË12-15.ÁÈ¶Ê - 3¤Ä¤Î¥Á¥§¥í¤Î¤¿¤á¤Ë¡Êºî¶ÊǯÉԾܡËI. Allegro giocosoII. Molto lentoIII. Tempo di MenuettoIV. Choral: poco adagioÁ´¤ÆÀ¤³¦½éÏ¿²»¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥Ï¥ó¥Ö¥ë¥¯¡¦¥Á¥§¥ó¥Ð¡¼¡¦¥×¥ì¥¤¥ä¡¼¥º¥ì¥³¡¼¥Ç¥£¥ó¥°2022ǯ6·î16-18ÆüHeilig-Geist-Kirche, Pinneberg, Schleswig-Holstein ¡Ä 1-42023ǯ5·î8ÆüFriedrich-Ebert-Halle, Hamburg ¡Ä 7-102023ǯ5·î12ÆüFriedrich-Ebert-Halle, Hamburg ¡Ä 12-152023ǯ6·î29ÆüJohanneskirche, Bad Dürrheim, Baden-Württemberg ¡Ä 5-6¡¢11¥É¥¤¥ÄÁí¼ýÏ¿»þ´Ö¡§ 64ʬ¾¦ÉÊÈֹ桧TOCC-101¥Æ¥£¥¨¥ê¥ª¡Ê1838-1919¡Ë¡§¡Ò¼¼Æâ³ÚºîÉʽ¸ Âè2½¸¡Ó¸Þ½ÅÁÕ¶Ê ¥ÈĹĴ¡¿2¤Ä¤Î¥¢¥À¡¼¥¸¥ç Op.414¤Ä¤Î¸¸ÁÛ¶Ê Op.28¡¿¥é¥ë¥²¥Ã¥È¡¿ÁÈ¶Ê ¡Î¥Ï¥ó¥Ö¥ë¥¯¡¦¥Á¥§¥ó¥Ð¡¼¡¦¥×¥ì¥¤¥ä¡¼¥º¡Ï THIERIOT, F.: Chamber Music, Vol. 2 (Hamburg Chamber Players)CD ȯÇäÆü¡§2024ǯ02·î23Æü NML¥¢¥ë¥Ð¥àÈֹ桧TOCC0101 Toccata Classics¥Ï¥ó¥Ö¥ë¥¯À¸¤Þ¤ì¤Î¥Õ¥§¥ë¥Ç¥£¥Ê¥ó¥È¡¦¥Æ¥£¥¨¥ê¥ª¡£Èà¤Ï¥Ö¥é¡¼¥à¥¹¤Î»Õ¤Ç¤â¤¢¤Ã¤¿¥¨¥É¥¥¥¢¥ë¥É¡¦¥Þ¥ë¥¯¥¹¥»¥ó¤ÎÄï»Ò¤Ç¡¢Æ±¤¸¤¯Äï»Ò¤Ç¤¢¤Ã¤¿¥é¥¤¥ó¥Ù¥ë¥¬¡¼¤ÈÀ¸³¶¿Æ¤·¤¤Í§¿Í´Ø·¸¤Ë¤¢¤ê¤Þ¤·¤¿¡£¥Æ¥£¥¨¥ê¥ª¤Î¼¼Æâ³ÚºîÉʽ¸¥·¥ê¡¼¥ºÂè1½¸¡ÊTOCC-80¡Ë¤Ë³¤¯¤³¤ÎÂè2½¸¤Ç¤Ï¡¢5¤Ä¤ÎºîÉʤò¼ýÏ¿¡£¤É¤Î¶Ê¤â¥Ö¥é¡¼¥à¥¹¤ò»×¤ï¤»¤ë¿µ¤Þ¤·¤¯¤â¾ðǮŪ¤ÊÊ·°Ïµ¤¤ò»ý¤Ã¤Æ¤¤¤Æ¡¢Ä°¤¤´¤¿¤¨¤Î¤¢¤ë¤â¤Î¤Ð¤«¤ê¤Ç¤¹¡£¤Ê¤«¤Ç¤â2003ǯ¤Ë½é¤á¤Æ½ÐÈǤµ¤ì¤¿¡ÖÁȶʡפÏÍ¥¤ì¤¿¥Á¥§¥ê¥¹¥È¤Ç¤â¤¢¤Ã¤¿¥Æ¥£¥¨¥ê¥ª¤ÎÌÌÌÜÌöÇ¡¤È¤¤¤¨¤ëºîÉÊ¡£Ù³¾ðŪ¤ÊÀûΧ¤Ç¥Á¥§¥í¤ò¸ʬ¤Ë²Î¤ï¤»¤ë¤³¤È¤Ç¡¢¿¼¤ß¤¢¤ë³Ú´ï¤Î²»¿§¤ò¸ʬ¤ËÀ¸¤«¤·¤¿¶Ê¤Ë»Å¾å¤¬¤Ã¤Æ¤¤¤Þ¤¹¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥Æ¥£¥¨¥ê¥ª
¶ÊÌÜ¡¦ÆâÍÆ1.Lo Zingaro ¡¿ ¥í¡¦¥Ä¥£¥ó¥¬¥í - Ensemble FOVE2.Zigeunerweisen ¡¿ ¥Ä¥£¥´¥¤¥Í¥ë¥ï¥¤¥¼¥ó - P. d. Sarasate3.Les yeux noirs ¡¿ ¹õ¤¤Æ· - Traditional4.Tzigane part 1 ¡¿ ¥Ä¥£¥¬¡¼¥Ì part 1 - M. Ravel5.Tzigane part 2 ¡ÊEnsemble FOVE Edition¡Ë¡¿ ¥Ä¥£¥¬¡¼¥Ì part 2 - M. Ravel6.Csárdás ¡ÊReiwa Era Radio Mix¡Ë ¡¿ ¥Á¥ã¡¼¥ë¥À¡¼¥·¥å - V. Monti7.La plus que lente ¡¿ ¥ì¥ó¥È¤è¤êÃÙ¤¯ - C. Debussy8.Walachian Dance ¡ÊNo. 40 from ¡È44 duos for 2 violins¡É¡Ë¡¿ ¥ï¥é¥¥¢¤ÎÍÙ¤ê¡Ê44¤Î¥Ç¥å¥ª¤è¤êÂè40ÈÖ¡Ë - B. Bartok9.Hungarian Dance ¡¿ ¥Ï¥ó¥¬¥ê¡¼Éñ¶Ê - J. Brahms10.In One Spot ¡Êfrom ¡ÈRomanian Folk Dances¡É¡Ë¡¿ ÂƧ¤ßÍÙ¤ê¡Ê¥ë¡¼¥Þ¥Ë¥¢Ì±Â¯Éñ¶Ê¤è¤ê¡Ë- B. Bartok11.Hora Mărțișorului / Little March Hora ¡¿ ¥Û¥é¡¦¥Þ¥ë¥Ä¥£¥·¥ç¥ë¥ë¥¤ - G. Dinicu12.Songs My Mother Taught Me ¡ÊGypsy Song¡Ë¡¿ Ê줬¶µ¤¨µë¤¤¤·²Î - A. Dvorak13.Bird watching at the studio - Ensemble FOVE14.Lark ¡¿ Ciocârlia ¡¿ ¤Ò¤Ð¤ê - G. Dinicu15.Csárdás ¡ÊAlternate Version¡Ë ¡¿ ¥Á¥ã¡¼¥ë¥À¡¼¥·¥å - CD bonus track - V. Monti16.Vole traineau ¡¿ ¥Ï¥¿¥Í¥º¥ß - CD bonus track - TraditionalProduce¡§ Ensemble FOVECo-Produce¡§ ÈøÃÓ°¡ÈþCo-Produce & Direction¡§ ºäÅìÍ´Â祢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡ËÈøÃÓ °¡Èþ¡Ê¥½¥í¡¦¥ô¥¡¥¤¥ª¥ê¥ó¡ËEnsemble FOVE¡Î¥á¥ó¥Ð¡¼¡Ï¿µ× ½á°ìϯ ¡Ê¥Õ¥ë¡¼¥È¡Ë¹ÓÌÚ ÁÕÈþ ¡Ê¥ª¡¼¥Ü¥¨¡ËÅì ¼Ó°á* ¡Ê¥¯¥é¥ê¥Í¥Ã¥È¡ËÃæÀî ¥Ò¥ÇÂë ¡Ê¥Ð¥¹¡¼¥ó¡Ë¾åÌî ¹ÌÊ¿ ¡Ê¥µ¥¯¥½¥Õ¥©¥ó¡ËÅļ Í¥Ìï ¡Ê¥Á¥å¡¼¥Ð¡ËÂç²È °ì¾ ¡Ê¥Ñ¡¼¥«¥Ã¥·¥ç¥ó¡Ë·Ê»³ Íüǵ* ¡Ê¥Ï¡¼¥×¡Ë¸Í¸¶ ľ¡¢Ä®ÅÄ ¶©¡¢¿Ü»³ ĪÂç*¡¢ÕôÇÏ ²ÂÍ´*¡¢ÉðÅÄ Åí»Ò*¡¢ÁÒÉÚ Î¼ÂÀ* ¡Ê¥ô¥¡¥¤¥ª¥ê¥ó¡Ë°Âã ¿¿Íý ¡Ê¥ô¥£¥ª¥é¡Ë¾®È« ¹¬Ë¡¡¢»³ß· ·Å* ¡Ê¥Á¥§¥í¡Ë¼Äºê ϵª¡¢ÃÏÂå½ê ͪ ¡Ê¥³¥ó¥È¥é¥Ð¥¹¡ËºäÅì Í´Âç ¡Ê»Ø´ø¡¦ÊԶʤۤ«¡ËSugar me* / Shoma* ¡ÊVoice¡Ë¡Ê*=Guest¡ËFOVE Records¡Ê¥Õ¥©¡¼¥ô¡¦¥ì¥³¡¼¥º¡Ë¸½ÂåÆüËܤòÂåɽ¤¹¤ë1991ǯÀ¸¤Þ¤ì¤Îµ¤±Ô¤Îºî¶Ê²È ºäÅìÍ´Â礬¼çºË¤¹¤ë¿·Àߥ졼¥Ù¥ë¡ÖFOVE Records¡×¡Ê¥Õ¥©¡¼¥ô¡¦¥ì¥³¡¼¥º¡Ë¤Ï¡¢Ensemble FOVE ¤¬¥¯¥é¥·¥Ã¥¯²»³Ú¤Î¿·¤·¤¤·ÁÂÖ¤òÄó°Æ¤¹¤ë¿·¥×¥í¥¸¥§¥¯¥È¡£ÆüËܲ»³Ú¥³¥ó¥¯¡¼¥ë¤ä¥Þ¥ó¥Á¥§¥¹¥¿¡¼¹ñºÝ¥ô¥¡¥¤¥ª¥ê¥ó¥³¥ó¥¯¡¼¥ë¤ÇÂè1°Ì¤ò³ÍÆÀ¤·¤¿ÈøÃÓ°¡Èþ¡¢¥¯¥é¥·¥Ã¥¯¡¦¥µ¥Ã¥¯¥¹¤Î¿·ÃÏÊ¿¤ò³«Â󤹤ë¾åÌî¹ÌÊ¿¡¢¹ñºÝ¥ª¡¼¥Ü¥¨¡¦¥³¥ó¥¯¡¼¥ëÆüËܿͽé¤ÎÍ¥¾¡¼Ô¡¦¹ÓÌÚÁÕÈþ¡¢¥¨¥¹¥È¥Ë¥¢½Ëº×´É¸¹³ÚÃĺßÀҤΥô¥£¥ª¥éÁÕ¼Ô¡¦°Âã¿¿Íý¤Ê¤É¡¢Ensemble FOVE ¤Î³Ë¤òÀ®¤¹µ¤±Ô¤Î¥á¥ó¥Ð¡¼¤¬Á´ÌÌŪ¤ËÏ¿²»¤Ë»²²Ã¡£Àä̯¤Ê¥¢¥ó¥µ¥ó¥Ö¥ë¤¬¿¥¤ê¤Ê¤¹¥¢¥È¥é¥¯¥Æ¥£¥ô¤Ê²»³ÚÂ賤ò¤´´®Ç½¤¯¤À¤µ¤¤¡£ÈøÃÓ °¡Èþ | Ami Oike¡ÎViolin¡Ï2008ǯ¡¢Âè11²ó¹¾Æ£½ÓºÈ¥ô¥¡¥¤¥ª¥ê¥ó¥³¥ó¥¯¡¼¥ëÂè1°Ì¡£2009ǯ¡¢Âè78²óÆüËܲ»³Ú¥³¥ó¥¯¡¼¥ëÂè1°Ì¡¢Ä°½°¾Þ¡Ê´äë¾Þ¡Ë¤Û¤«¼õ¾Þ¡£2011ǯ¡¢Âè2²óRNCM ¥Þ¥ó¥Á¥§¥¹¥¿¡¼¹ñºÝ¥ô¥¡¥¤¥ª¥ê¥ó¥³¥ó¥¯¡¼¥ëÂè1°Ì¡¢°Ñ¾ü²ÝÂê¶ÊºÇÍ¥½¨±éÁÕ¾Þ¡£2013ǯ¡¢Âè12²ó¥«¡¼¥ë¡¦¥Õ¥ì¥Ã¥·¥å¹ñºÝ¥ô¥¡¥¤¥ª¥ê¥ó¥³¥ó¥¯¡¼¥ëÂè2°Ì¡£3ºÐ¤è¤ê½ÇÊ컳²¼¿¿À¡¤Î¼ê¤Û¤É¤¤Ë¤è¤ê¥ô¥¡¥¤¥ª¥ê¥ó¤ò»Ï¤á¤ë¡£Éã¤Îž¶Ð¤Ç6ºÐ¤è¤ê2ǯ´Ö¥¹¥¤¥¹¤Ëºß½»¡¢¥Ï¥Ó¥Ö¡¦¥«¥ä¥ì¥¤»á¤Ë»Õ»ö¡£µ¢¹ñ¸å¡¢Àаæ»ÖÅÔ»Ò»á¤Ë»Õ»ö¡£Åìµþ麽ÑÂç³ØÉí°¹â¹»¡¢Æ±Âç³Ø²»³Ú³ØÉô¤Ë¤Æ߷ϼù¡¢¥¸¥§¥é¡¼¥ë¡¦¥×¡¼¥ì¡¢¥ª¥ì¥°¡¦¥¯¥ê¥µ¤Î³Æ»á¤Ë»Õ»ö¡¢°ÂÂð¾Þ¡¢¥¢¥«¥ó¥µ¥¹¾Þ¡¢Æ±À¼²ñ¾Þ¤ò¼õ¾Þ¤·Â´¶È¡£¥¹¥¤¥¹¡¦¥í¡¼¥¶¥ó¥Ì¹âÅù²»³Ú±¡¤Ë¤Æ¥Ô¥¨¡¼¥ë¡¦¥¢¥â¥¤¥ä¥ë»á¤Ë¡¢¥¤¥®¥ê¥¹¡¦²¦Î©Ë̲»³Ú±¡¡¢¥°¥é¡¼¥Ä·Ý½ÑÂç³Ø¤Ë¤Æ¥ä¥¤¥ë¡¦¥¯¥ì¥¹¤Ë»Õ»ö¡£¥í¡¼¥à¥ß¥å¡¼¥¸¥Ã¥¯¥Õ¥¡¥ó¥Ç¡¼¥·¥ç¥ó¡¢ÌÀ¼£°ÂÅÄ¥¯¥ª¥ê¥Æ¥£¥ª¥Ö¥é¥¤¥Õ¾©³ØÀ¸¡£2014ǯ2·î¤Ë½é¤Î¥½¥í¡¦CD¡ÖFrench Romanticism¡×¤ò¥ê¥ê¡¼¥¹¡£2016ǯ¤Ë¤Ï¥Ð¥Ã¥Ï¤È¥Ð¥ë¥È¡¼¥¯¤Î̵ȼÁÕºîÉʤò¥¦¥£¡¼¥ó¤Î¶µ²ñ¤ÇÏ¿²»¤·¤¿CD¡ÖA¡×¤ò¥ê¥ê¡¼¥¹¡£¥ì¥³¡¼¥É·Ý½Ñ»ïÆÃÁªÈס£2019ǯ¤è¤ê¥¢¡¼¥Æ¥£¥¹¥È̾¤ò¡Ø°ËÆ£°¡Èþ¡Ù¤«¤é¡ØÈøÃÓ°¡Èþ¡Ù¤ËÊѹ¹¡£¾¦ÉÊÈֹ桧fore001ZINGARO!!!ÈøÃÓ °¡Èþ ¡Ã Ensemble FOVE ¡ÎÈøÃÓ °¡Èþ¡Ê¥½¥í¡¦¥ô¥¡¥¤¥ª¥ê¥ó¡Ë¡¿Ensemble FOVE¡ÏCD ¢£¼¼Æâ³ÚȯÇäÆü¡§2019ǯ11·î15Æü FOVE RecordsÈøÃÓ°¡Èþ¥Ë¥å¡¼¥¢¥ë¥Ð¥à¤Ï¥Ä¥£¥ó¥¬¥í¡Ê¥í¥Þ¡¢¥¸¥×¥·¡¼¡Ë¤Î²»³Ú¡£¾åÌî¹ÌÊ¿¡¢¹ÓÌÚÁÕÈþ¡¢°Âã¿¿Íý¤Ê¤É¤¬»²²Ã¡ª¤³¤ó¤Ê¤Î¡¢È¿Â§¤À!!¥Þ¥ó¥Á¥§¥¹¥¿¡¼¹ñºÝ¥³¥ó¥¯¡¼¥ë¡¢ÆüËܲ»³Ú¥³¥ó¥¯¡¼¥ë¤ÎÇƼԡ¦ÈøÃÓ°¡Èþ¤ÈĶ¿Í½¸ÃÄEnsemble FOVE ¤¬¥Ä¥£¥ó¥¬¥í¡¦¥ß¥å¡¼¥¸¥Ã¥¯¤ÇÂç˽¤ì¡ªÊÆÄŸ¼»Õ¡È³¤¤ÎÍ©Îî¡É¡¢¡È¥æ¡¼¥ê!!! on ICE¡É ¶¦±é¤Î¿·À¤Â嵤±Ô¥¯¥é¥·¥Ã¥¯½¸ÃÄ Ensemble FOVE¡¢¿·¥ì¡¼¥Ù¥ëFOVE RECORDS ÀßΩ ¡õ Âè1ÃÆCD ¥¢¥ë¥Ð¥à¡¦¥ê¥ê¡¼¥¹·èÄê!!!¡¡¿·¿Êµ¤±Ô¤Î¥¯¥é¥·¥Ã¥¯±éÁղȤˤè¤Ã¤Æ·ëÀ®¤µ¤ì¤¿¼¡À¤Âå·¿¥¢¥ó¥µ¥ó¥Ö¥ë Ensemble FOVE¡Ê¥¢¥ó¥µ¥ó¥Ö¥ë¡¦¥Õ¥©¡¼¥ô¡Ë ¤Ï¡¢¤³¤Î¤¿¤Ó¼«¼ç¥ì¡¼¥Ù¥ë¡ÖFOVE RECORDS¡×¡Ê¥Õ¥©¡¼¥ô¡¦¥ì¥³¡¼¥º¡Ë¤òΩ¤Á¾å¤²¡¢¤½¤ÎµÇ°¤¹¤Ù¤Âè1ÃƺîÉʤȤ·¤Æ¡¢¥ô¥¡¥¤¥ª¥ê¥ó¡¦ÈøÃÓ°¡Èþ¡Ê¤ª¤¤¤±¡¦¤¢¤ß¡Ë¤¬Á´ÊԤˤ錄¤Ã¤Æ¥½¥ê¥¹¥È¤ò̳¤á¤ë¥¢¥ë¥Ð¥à¡ÖZINGARO!!!¡×¡Ê¥Ä¥£¥ó¥¬¥í¡Ë¤ò¥ê¥ê¡¼¥¹¤¹¤ë¡£ÈøÃÓ°¡Èþ¤Ï¡¢2009ǯ¤Ë¹ñÆâºÇÂç¤Î¥³¥ó¥¯¡¼¥ë¤Ç¤¢¤ë¡ÖÆüËܲ»³Ú¥³¥ó¥¯¡¼¥ë¡×¤Ë¤Æ¥½¥ê¥¹¥È¤È¤·¤Æ1°Ì¤ò³ÍÆÀ¤·¤Æ°ÊÍè¡¢¹ñÆâ¤Î¼çÍ×¥ª¡¼¥±¥¹¥È¥é¤È¤Î¿ô¡¹¤Î¶¦±é¤ä¡¢¼¼Æâ³Ú¤ÎʬÌî¤Ç¤âÀºÎÏŪ¤Ë³èÌö¤¹¤ë¥ô¥¡¥¤¥ª¥ê¥Ë¥¹¥È¡£¥ì¡¼¥Ù¥ëÂè1ÃƤǤ¢¤ëËܺî¤Ï¡¢Ensemble FOVE ¥³¥¢¥á¥ó¥Ð¡¼¤Ç¤â¤¢¤ëÈà½÷¤Ë¥¹¥Ý¥Ã¥È¤òÅö¤Æ¤¿¥¢¥ë¥Ð¥à¤Ç¤¢¤ê¡¢¡ÖZingaro¡Ê¥¤¥¿¥ê¥¢¸ì¡Ë¡á¥í¥Þ̱²¡¢¥¸¥×¥·¡¼¡×¤Î²»³Ú¤ò¥Æ¡¼¥Þ¤È¤·¤¿À¶¿·¤Ê¥é¥¤¥ó¥Ê¥Ã¥×¤¬¼ýÏ¿¤µ¤ì¤Æ¤¤¤ë¡£ÈøÃÓ¤ÈEnsemble FOVE ¤Ï¡¢¥í¥Þ²»³Ú¤ä¤½¤ì¤Ë¥¤¥ó¥¹¥Ñ¥¤¥¢¤µ¤ìºî¶Ê¤µ¤ì¤¿¡È¥Á¥ã¡¼¥ë¥À¡¼¥·¥å¡É ¡È¥Ä¥£¥´¥¤¥Í¥ë¥ï¥¤¥¼¥ó¡É¤ò¤Ï¤¸¤á¤È¤¹¤ë¥¯¥é¥·¥Ã¥¯²»³Ú¤«¤éÁª¶Ê¤ò¹Ô¤¤¡¢21À¤µª¤Î¸½Âå¤ËÄÌÍѤ¹¤ë¥Õ¥ì¥Ã¥·¥å¤ÇÂçÃÀ¤Ê¥¢¥Ã¥×¥Ç¡¼¥È¤ò»Ü¤·¤¿¡£Â礤ʥ¹¥È¡¼¥ê¡¼¤Î¤è¤¦¤Ê¥¢¥ë¥Ð¥à¹½Áۤȡ¢±éÁղȤÈÀ©ºî¥Á¡¼¥à¤È¤Îǻ̩¤Ê¥³¥ß¥å¥Ë¥±¡¼¥·¥ç¥ó¤òÄ̤·¤Æ¡¢1Ëç¤Î¥¢¥ë¥Ð¥à¤Ë°µÅÝŪ¤ÊÀ¤³¦´Ñ¤¬É½¸½¤µ¤ì¤Æ¤¤¤ë¡£¡¡Ensemble FOVE Âåɽ¡¦ºäÅìÍ´Âç¡Ê¤Ð¤ó¤É¤¦¡¦¤æ¤¦¤¿¡Ë¤Ï¡¢º£²ó¤Î¥¢¥ë¥Ð¥à¤Î¤¿¤á¤ËÁ´¶Ê¤Ë¿·¤¿¤Ê¥¢¥ì¥ó¥¸¤ò½ñ¤²¼¤í¤·¡¢¤µ¤é¤Ë¥¹¥¿¥¸¥ªÏ¿²»¤«¤é¥µ¥¦¥ó¥É¡¦¥Ç¥¶¥¤¥ó¡¢¥ß¥¥·¥ó¥°¡¢¥Þ¥¹¥¿¥ê¥ó¥°¤Þ¤Ç¤ÎÁ´²áÄø¤ò´Æ½¤¤·¤¿¡£2019ǯ¤Ï¤«¤Ä¤Æ¼«¤é¤¬¼õ¾Þ¡Ê2015ǯ¡Ë¤·¤¿¡Ö³©ÀîÌéÀ£»Ö¥µ¥ó¥È¥ê¡¼ºî¶Ê¾Þ¡Êµì¾Î¡§³©Àîºî¶Ê¾Þ¡Ë¡×¤Î»Ë¾åºÇǯ¾¯Áª¹Í°Ñ°÷¤ò̳¤á¤ë¤Ê¤É¡¢¥¯¥é¥·¥Ã¥¯-¸½Âå²»³Ú¤ÎʬÌî¤Ç̾¤òÃΤé¤ì¤ë¤Ð¤«¤ê¤Ç¤Ê¤¯¡¢±ÇÁüºîÉʤǤÏTV ¥¢¥Ë¥á¡Ø¥æ¡¼¥ê!!! on ICE¡Ù ¡Ê¡Ö¾¾»ÊÇÏÂó¡×̾µÁ¡Ë¤äÃæÅçůÌé´ÆÆĺî¤Î±Ç²è¡ØÍè¤ë¡Ù¤Ç¥¹¥³¥¢¤ò¼ê³Ý¤±¤ë¤Û¤«¡¢ÊÆÄŸ¼»Õ¤Î¡Ø³¤¤ÎÍ©Îî¡Ù¤ä¡ØÇϤȼ¯¡Ù¡¢¡Ø¥Ñ¥×¥ê¥«¡Ê¥»¥ë¥Õ¥«¥ô¥¡¡¼Ver.¡Ë¡Ù¤Ç¶¦Æ±¥¢¥ì¥ó¥¸¤ò̳¤á¤ë¤Ê¤É¡¢Â¿ÊýÌ̤dzèÌö¤¹¤ëºÇÃíÌܤκÍǽ¡£¤³¤ì¤Þ¤Ç¤Ë¤â Ensemble FOVE ¤Ï¡¢ÊÆÄŸ¼»Õ ¡È³¤¤ÎÍ©Îî¡É ¤ä¡¢TV ¥¢¥Ë¥á¡¼¥·¥ç¥ó¥·¥ê¡¼¥º ¡È¥æ¡¼¥ê!!! on ICE¡É ·àȼ²»³Ú¤Ê¤É¤Ë¶¦±é¤·¡¢Â¿ºÌ¤Ê²»³ÚŪ¥¢¥×¥í¡¼¥Á¤Ç¥¢¥ó¥µ¥ó¥Ö¥ë¤Î¿·¶ÃϤò³«Âó¡£Ã±Æȸø±é´ë²è ¡ÉSONAR-FIELD¡É¤Ç¤Ï¡¢5³¬·ú¤Æ¤Î·úʪ Á´ÂΤò»È¤Ã¤¿Â絬ÌϤʥѥե©¡¼¥Þ¥ó¥¹¤ò¼Â¸½¤¹¤ë¤Ê¤É¡¢¿ô¡¹¤ÎÀ¶¿·¤Ê¥¢¥¤¥Ç¥£¥¢¤ò¼Â¸½¡¢À®¸ù¤µ¤»¤Æ¤¤¿¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥µ¥é¥µ¡¼¥Æ¥é¥ô¥§¥ë¥â¥ó¥Æ¥£¥É¥Ó¥å¥Ã¥·¡¼¥Ð¥ë¥È¡¼¥¯¥Ö¥é¡¼¥à¥¹¥Ç¥£¥Ë¡¼¥¯¥É¥ô¥©¥ë¥¶¡¼¥¯
¥ª¥ë¥Õ¥§¥ª´É³Ú¥¢¥ó¥µ¥ó¥Ö¥ë - Orfeo Blaserensemble¡¢ L'
¶ÊÌÜ¡¦ÆâÍƥޥꥪ¡¦¥«¥¹¥Æ¥ë¥Ì¥ª¡¼¥ô¥©¡á¥Æ¥Ç¥¹¥³¡Ê1895-1968¡Ë1-3.¥Õ¥ë¡¼¥È¤È¥®¥¿¡¼¤Î¤¿¤á¤Î¥½¥Ê¥Á¥Í Op. 205¡Ê1965¡Ë I. Allegretto graziosoII. Tempo di sicilianaIII. Scherzo-RondoÉðËþÅ°¡Ê1930-1996¡Ë4-6.³¤¤Ø - ¥¢¥ë¥È¡¦¥Õ¥ë¡¼¥È¤È¥®¥¿¡¼¤Î¤¿¤á¤Î¡Ê1981¡ËÂè1¶Ê ÌëÂè2¶Ê Çò·ßÂè3¶Ê Ą̃¥Ù¡¼¥é¡¦¥Ð¥ë¥È¡¼¥¯¡Ê1881-1945¡Ë7-12.¥ë¡¼¥Þ¥Ë¥¢Ì±Â¯Éñ¶Ê BB 68/Sz. 56¡Ê1915¡Ë¡ÊA. ¥ì¥ô¥¡¥ê¥ó¥°¤Ë¤è¤ë¥Õ¥ë¡¼¥È¤È¥®¥¿¡¼ÊÔ¡ËÂè1ÈÖ ËÀÍÙ¤êÂè2ÈÖ ÂÓÍÙ¤êÂè3ÈÖ Æ§¤ßÍÙ¤êÂè4ÈÖ ³ÑÅ«¤ÎÍÙ¤êÂè5ÈÖ ¥ë¡¼¥Þ¥Ë¥¢É÷¥Ý¥ë¥«Âè6ÈÖ Â®¤¤ÍÙ¤ê¥é¥ô¥£¡¦¥·¥ã¥ó¥«¡¼¥ë¡Ê1920-2012¡Ë13.L¡ÇAube enchantée sur le Raga ¡ÆTodi¡Ç Ì¥ÏǤÎÌëÌÀ¤±¡Ê1976¡Ë¡ÊR. ¥¢¥¦¥»¥ë¡¢P-A. ¥ô¥¡¥é¡¼¥É¤Ë¤è¤ë¥Õ¥ë¡¼¥È¤È¥®¥¿¡¼ÊÔ¡Ë¥¢¥¹¥È¥ë¡¦¥Ô¥¢¥½¥é¡Ê1921-1992¡Ë14-17.¥¿¥ó¥´¤ÎÎò»Ë - ¥Õ¥ë¡¼¥È¤È¥®¥¿¡¼¤Î¤¿¤á¤Î¡Ê1986¡ËÂè1¶Ê ¥Ü¥ë¥Ç¥ë 1900Âè2¶Ê ¥«¥Õ¥§ 1930Âè3¶Ê ¥Ê¥¤¥È¥¯¥é¥Ö 1960Âè4¶Ê ¸½Âå¤Î¥³¥ó¥µ¡¼¥È¥¢¡¼¥Æ¥£¥¹¥È¡Ê±éÁÕ¡¦½Ð±é¡Ë¥Ö¥ê¥Ã¥¿¡¦¥ä¡¼¥³¥×¥¹¡Ê¥Õ¥ë¡¼¥È¡Ë¥¤¥ì¡¼¥Í¡¦¥«¥ê¥¹¥Õ¥¡¡¼¥ë¥È¡Ê¥®¥¿¡¼¡Ë¥ì¥³¡¼¥Ç¥£¥ó¥°2021ǯ2·î4-7Æü Funkhaus am Halberg, Saarbrücken¡Ê¥É¥¤¥Ä¡Ë¾¦ÉÊÈֹ桧8.551453¥Õ¥ë¡¼¥È¤È¥®¥¿¡¼¤Î¤¿¤á¤Î20À¤µª¤ÎºîÉʽ¸ ¡Î¥Ö¥ê¥Ã¥¿¡¦¥ä¡¼¥³¥×¥¹¡Ê¥Õ¥ë¡¼¥È¡Ë¡¿¥¤¥ì¡¼¥Í¡¦¥«¥ê¥¹¥Õ¥¡¡¼¥ë¥È¡Ê¥®¥¿¡¼¡Ë¡Ï Music for Flute and Guitar (20th Century) - CASTELNUOVO-TEDESCO, M. / TAKEMITSU, Toru / SHANKAR, R. / PIAZZOLLA, A. (B. Jacobs, Kalisvaart)CD ȯÇäÆü¡§2021ǯ11·î12Æü NML¥¢¥ë¥Ð¥àÈֹ桧8.551453 NAXOS¡Î8.551...¡Ï20À¤µª¡¢¥Õ¥ë¡¼¥È¤È¥®¥¿¡¼¤Î¤¿¤á¤ÎºîÉʤò½¸¤á¤¿1Ëç¡£¥«¥¹¥Æ¥ë¥Ì¥ª¡¼¥ô¥©¡á¥Æ¥Ç¥¹¥³¤Î¥½¥Ê¥Á¥Í¤Ï¡¢¤³¤Î2¤Ä¤Î³Ú´ï¤ÎÁȤ߹ç¤ï¤»¤Î¤¿¤á¤ÎºÇ¹â¤ÎºîÉʤΰì¤Ä¤Èɾ²Á¤µ¤ì¤Æ¤¤¤Þ¤¹¡£¤Þ¤¿¥¢¥ë¥È¡¦¥Õ¥ë¡¼¥È¤Î²¹¤«¤ß¤Î¤¢¤ë²»¿§¤¬Èþ¤·¤¤ÉðËþÅ°¤Î¡Ö³¤¤Ø¡×¤Ï¥í¥Þ¥ó¥Æ¥£¥Ã¥¯¤ÊÀûΧ¤Èɽ¸½¤Îˤ«¤µ¤ËÄêɾ¤¬¤¢¤ê¡¢¥Ô¥¢¥½¥é¤Î¡Ö¥¿¥ó¥´¤ÎÎò»Ë¡×¤Ï¥¿¥ó¥´¤Î¥ê¥º¥à¤¬¿´¤òÁߤΩ¤Æ¤Þ¤¹¡£¤Þ¤¿¡¢¥Ð¥ë¥È¡¼¥¯¤Î¡Ö¥ë¡¼¥Þ¥Ë¥¢Ì±Â¯Éñ¶Ê¡×¤Ï¥Ô¥¢¥Î¶Ê¡¢¥·¥ã¥ó¥«¡¼¥ë¤Î¡ÖÌ¥ÏǤÎÌëÌÀ¤±¡×¤Ï¥Õ¥ë¡¼¥È¤È¥Þ¥ê¥ó¥Ð¤Î¥Ç¥å¥ª¤¬¸¶¶Ê¤Ç¤¹¤¬¡¢¤³¤³¤Ç¤Ï¥Õ¥ë¡¼¥È¤È¥®¥¿¡¼¤Î¤¿¤á¤Ë¸«»ö¤ÊÊԶʤ¬»Ü¤µ¤ì¤Æ¤¤¤Þ¤¹¡£¥Ö¥ê¥Ã¥¿¡¦¥ä¡¼¥³¥×¥¹¤Ï¥«¥Ã¥»¥ë¹ñΩ·à¾ì¤Î¼óÀʥե롼¥ÈÁÕ¼Ô¤ò·Ð¤Æ¡¢¥·¥å¥È¥¥¥Ã¥È¥¬¥ë¥ÈÊüÁ÷¸ò¶Á³ÚÃĤμóÀÊÁռԤȤ·¤Æ³èÌö¤·¤¿¼ÂÎÏÇÉ¡£¥®¥¿¥ê¥¹¥È¤Î¥¤¥ì¡¼¥Í¡¦¥«¥ê¥¹¥Õ¥¡¡¼¥ë¥È¤Ï17ºÐ¤Ç¥¢¥à¥¹¥Æ¥ë¥À¥à¤Ç³«ºÅ¤µ¤ì¤¿¡ÖÀľ¯Ç¯¤Î¤¿¤á¤Î¥®¥¿¡¼¹ñºÝ¥³¥ó¥¯¡¼¥ë¡×¤ÇºÇÍ¥½¨¾Þ¤ò³ÍÆÀ¡¢¥Ð¥í¥Ã¥¯ºîÉʤÎÊԶʤʤɹ¤¤¥ì¥Ñ¡¼¥È¥ê¡¼¤ò»ý¤Ã¤Æ¤¤¤Þ¤¹¡£2¿Í¤Î¿ÆÌ©¤Ê¥¢¥ó¥µ¥ó¥Ö¥ë¤ò¤ª³Ú¤·¤ß¤¯¤À¤µ¤¤¡£ºî¶Ê²È¸¡º÷¥ê¥ó¥¯¡Ê¤³¤Î¥¿¥¤¥È¥ë¤Ë¼ýÏ¿¤µ¤ì¤Æ¤¤¤ëºî¶Ê²È¡Ë¥«¥¹¥Æ¥ë¥Ì¥ª¡¼¥ô¥©¡á¥Æ¥Ç¥¹¥³¥·¥ã¥ó¥«¥ëÉðËþ Å°¥Ð¥ë¥È¡¼¥¯¥Ô¥¢¥½¥é